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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Boy with Baguettes, Les Saintes by Ralph Gibson, Image 1.

    Ralph Gibson

    Boy with Baguettes, Les Saintes, 1992

    Chromogenic print

    20 x 16 in (50.8 x 40.64 cm)

  2. Unidentified Children (Boy in Purple Tie with Girl in White Dress) by Andy Warhol, Image 1.

    Andy Warhol

    Unidentified Children (Boy in Purple Tie with Girl in White Dress), 1980

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  3. Unidentified Woman (Red Ruby Earrings) by Andy Warhol, Image 1.

    Andy Warhol

    Unidentified Woman (Red Ruby Earrings), 1979

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  4. Head of Zeus by Stanley William Hayter, Image 1.

    Stanley William Hayter

    Head of Zeus, 1979

    Engraving on paper

    15 x 11.5 in (38.1 x 29.21 cm)

  5. And Ice, Mast-High, Came Floating by, as Green as Emerald from The Rime of the Ancient Mariner by Patrick Procktor, Image 1.

    Patrick Procktor

    And Ice, Mast-High, Came Floating by, as Green as Emerald from The Rime of the Ancient Mariner, 1976

    Etching on paper

    25.5 x 19.5 in (64.77 x 49.53 cm)

  6. Amaryllis on Adire Cloth by Laura Grosch, Image 1.

    Laura Grosch

    Amaryllis on Adire Cloth, 1973

    Lithograph on paper

    22.125 x 29.75 in (56.2 x 75.57 cm)

  7. One Dip Please by James Butler, Image 1.

    James Butler

    One Dip Please, 1973

    Lithograph on paper

    22.75 x 18.25 in (57.79 x 46.36 cm)

  8. Toreador by David Solot, Image 1.

    David Solot

    Toreador, c. 1950

    Lithograph on paper

    14.5 x 19.875 in (36.83 x 50.48 cm)

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About the artist

Ward Jackson

American

1928-2004

Ward Jackson (1928-2004) was an abstract American painter and writer. He formed a relationship with Guggenheim Museum curator Hilla Rebay during his education, which led to his extensive tenure at the institution as the archivist and director of the viewing program. Jackson also formed a strong relationship with acclaimed art critic George L.K. Morris, who founded the group American Abstract Artists, which Jackson later joined for many years. After Jackson’s pilot exhibition in 1956 at the Fleischman Gallery in New York, he continued to exhibit regularly domestically and internationally. In the 1960s, inspired by Piet Mondrian and Josef Albers, Jackson began to develop his minimal, harsh, geometric compositional style, while also using a small color palette. Jackson is credited for the creation of the art publication ART NOW in 1969, which exposed the work of contemporary artists.