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Viewing collection John Andrew MacMahon, Class of 1995 Collection Clear context

Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. La Paz by Sze Tsung Nicolás Leong, Image 1.

    Sze Tsung Nicolás Leong

    La Paz, 2010

    Oversized dye coupler print

    48 x 59 in (121.92 x 149.86 cm)

  2. San Francisco, La Paz, From the series Cities, 2010 by Sze Tsung Nicolás Leong, Image 1.

    Sze Tsung Nicolás Leong

    San Francisco, La Paz, From the series Cities, 2010, 2010

    Digital chromogenic print mounted on dibond

    44 x 55 in (111.76 x 139.7 cm)

  3. Manhole Covers (Collaboration with Al Souza) by MANUAL, Image 1.

    MANUAL

    Manhole Covers (Collaboration with Al Souza), 2010

    Archival pigment print on paper

    22.25 x 31.25 in (56.52 x 79.38 cm)

  4. Big Bend Panorama in 4 parts (far left) by Libbie J. Masterson, Image 1.

    Libbie J. Masterson

    Big Bend Panorama in 4 parts (far left), 2009

    Archival inkjet print

    16 x 24 in (40.64 x 60.96 cm)

  5. Big Bend Riverbed by Libbie J. Masterson, Image 1.

    Libbie J. Masterson

    Big Bend Riverbed, 2009

    Archival ink jet print

    8 x 12 in (20.32 x 30.48 cm)

  6. Hong Kong Bay by Sze Tsung Nicolás Leong, Image 2.

    Sze Tsung Nicolás Leong

    Hong Kong Bay, 2004

    Dye coupler print

    24 x 44 in (60.96 x 111.76 cm)

  7. Xinjiekou, Xaunwu District, Nanjing, 2004, From the series History Images by Sze Tsung Nicolás Leong, Image 1.

    Sze Tsung Nicolás Leong

    Xinjiekou, Xaunwu District, Nanjing, 2004, From the series History Images, 2004

    Chromogenic print

    40 x 48 in (101.6 x 121.92 cm)

  8. Rectangle within Three Rectangles (Green) by Robert Mangold, Image 2.

    Robert Mangold

    Rectangle within Three Rectangles (Green), 1980

    Screenprint on Rives BFK paper

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About the artist

Robert Mangold

American

b. 1937

Robert Mangold is an American artist known for his contribution to Minimalism and his focus on the fundamentals of formal construction in painting, sculpture, and drawing. His shaped panel paintings use subtle modulations of color and precise graphite lines to confront the viewer with a difficult, yet meditative experience. “My belief about painting is that it’s the most difficult art to grasp,” Mangold once told BOMB magazine. “And abstract painting makes it even more difficult, because the person walking in off the street doesn’t have a place to grab hold of…if you come into a room where there’s an installation or a sculpture, you know to walk around it, it exists in your space with you; there’s no way to kill time in front of a painting.” Born on October 12, 1937 in North Tonawanda, NY, he went on to study first at the Cleveland Institute of Art, then the Yale School of Art where he received his MFA in 1963. Mangold’s work can be found in the collections of the Art Institute of Chicago, the Solomon R. Guggenheim Museum in New York, the Los Angeles County Museum of Art, the Tate Gallery in London, and the Kunstmuseum Basel, among others. He lives and works in New York with his wife and fellow painter Sylvia Plimack Mangold.