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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Myra Greene

    Undertone #15, 2017-2018

    Glass ambrotype

    4 x 3 in (10.16 x 7.62 cm)

  2. Border Wall near Brownsville (Muro fronterizo cerca de Brownsville), from the portfolio Borders and Belonging by Susan Harbage Page, Image 1.

    Susan Harbage Page

    Border Wall near Brownsville (Muro fronterizo cerca de Brownsville), from the portfolio Borders and Belonging, 2010

    Color inkjet print on cotton rag paper

    17 x 22 in (43.18 x 55.88 cm)

  3. P.O.W. by Adrian Van Suchtelen, Image 1.

    Adrian Van Suchtelen

    P.O.W., 1982

    Etching on paper

    12.625 x 12.75 in (32.07 x 32.39 cm)

  4. B.N. 6477 by Robert Weaver, Image 1.

    Robert Weaver

    B.N. 6477, 1977

    Lithograph on paper

    24.125 x 18.0625 in (61.28 x 45.88 cm)

  5. Untitled RH220LS by Richard Howard Hunt, Image 1.

    Richard Howard Hunt

    Untitled RH220LS, 1974

    Lithograph on paper

    13.5 x 10 in (34.29 x 25.4 cm)

  6. La Dame Indignée, from the portfolio Robert Doisneau by Robert Doisneau, Image 1.

    Robert Doisneau

    La Dame Indignée, from the portfolio Robert Doisneau, 1948, printed 1979

    Gelatin silver print

    9.5 x 11.75 in (24.13 x 29.85 cm)

  7. Philippe Halsman

    Jane Ball, 1946

    Gelatin silver print

  8. Gene Hard at Work at Home by Gene Merritt, Image 1.

    Gene Merritt

    Gene Hard at Work at Home

    Ink on paper

    11 x 8.5 in (27.94 x 21.59 cm)

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About the artist

Scott Eagle

American

b. 1963

Scott Eagle is the Assistant Director of the School of Art and Design and an Associate Professor of Painting and Drawing at East Carolina University in Greenville, North Carolina. He also received his BFA and MFA from East Carolina University. His practice spans traditional and digital media, with paintings and illustrations appearing in publications such as The New York Times, Wired, and numerous books. Eagle approaches art as a mode of inquiry—an active process of thinking through making—allowing his work to emerge from experimentation, curiosity, and sustained visual exploration.