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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. “I Love You” sign language in the subway, New York City by Donna Ferrato, Image 1.

    Donna Ferrato

    “I Love You” sign language in the subway, New York City, 1993

    Archival pigment print

    24 x 20 in (60.96 x 50.8 cm)

  2. Another Page, from the portfolio "Utopia" by Debra Durst, Image 1.

    Debra Durst

    Another Page, from the portfolio "Utopia", 1989

    Letterpress on paper

    22.5 x 14.875 in (57.15 x 37.78 cm)

  3. Adolescent by Adrian Van Suchtelen, Image 1.

    Adrian Van Suchtelen

    Adolescent, 1982

    Lithograph on paper

    10.25 x 14 in (26.04 x 35.56 cm)

  4. Crystal Ball by Hunt Slonem, Image 1.

    Hunt Slonem

    Crystal Ball, 1980

    Silkscreen on paper

    22 x 30 in (55.88 x 76.2 cm)

  5. New York City, 1967, from Garry Winogrand portfolio by Garry Winogrand, Image 1.

    Garry Winogrand

    New York City, 1967, from Garry Winogrand portfolio, 1978

    Gelatin silver Print

    11 x 17 in (27.94 x 43.18 cm)

  6. Koan Cuts IV by Liliane Lijn, Image 1.

    Liliane Lijn

    Koan Cuts IV, 1971

    Screenprint and collage on paper

    30.5 x 22 in (77.47 x 55.88 cm)

  7. French Postcard Series by Peter Blake, Image 1.

    Peter Blake

    French Postcard Series, 1969

    Photo screenprint on board

    16.875 x 10.75 in (42.86 x 27.31 cm)

  8. Poly Vinal D by Conrad Marca-Relli, Image 1.

    Conrad Marca-Relli

    Poly Vinal D, 1968

    Screenprint on plastic

    18 x 18 in (45.72 x 45.72 cm)

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About the artist

Philippe Halsman

Latvian-American

1906-1979

A Latvian-American portrait photographer. Halsman lived in Austria for a period of time, until he was convicted of a crime and later left the country for France. In France, Halsman worked for Vogue and other fashion editorials, and soon became a highly sought-after photographer due to his skill in lighting, sharp focus, and expertly cropped photos. He later obtained a US visa and came to the states to persue fashion and cosmetic photographic advertising. In 1942, Halsman began working for LIFE magazine, which featured many of his images on the front covers of its issues. Halsman is also an author, and wrote photographic skills books such as Halsman on the Creation of Photographic Ideas.