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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. B Orange, from "Three Aquatints" portfolio by Robert Mangold, Image 2.

    Robert Mangold

    B Orange, from "Three Aquatints" portfolio, 1979

    Etching and aquatint on wove paper mounted to board

    43.625 x 40.75 in (110.81 x 103.51 cm)

  2. Route 25 West by Jack Eaker, Image 1.

    Jack Eaker

    Route 25 West, 1979

    Color lithograph on paper

    29.375 x 21 in (74.61 x 53.34 cm)

  3. Karel Appel

    Blue Cat, 1978

    Lithograph on paper

  4. Yes, Virginia There Really Was a Turkey by William Weege, Image 1.

    William Weege

    Yes, Virginia There Really Was a Turkey, 1976

    Screenprint on paper

    30.125 x 22.125 in (76.52 x 56.2 cm)

  5. High Wind by Herb Jackson, Image 1.

    Herb Jackson

    High Wind, 1972

    Etching on paper

    22 x 30 in (55.88 x 76.2 cm)

  6. Figs by Mary Fedden, Image 1.

    Mary Fedden

    Figs, 1972

    Lithograph on paper

    30.5 x 22.625 in (77.47 x 57.47 cm)

  7. Avaritia, from the series The Seven Deadly Sins by Pieter the Elder Bruegel, Image 1.

    Pieter the Elder Bruegel

    Avaritia, from the series The Seven Deadly Sins, 1558

    Engraving on paper

    8.25 x 11.125 in (20.96 x 28.26 cm)

  8. Untitled by Michael Mazur, Image 1.

    Michael Mazur

    Untitled, No date

    Lithograph on paper

    23 x 27.875 in (58.42 x 70.8 cm)

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About the artist

William Hogarth

British

1697–1764

London artist in 18th century, renowned for his portrait series, 'conversation pieces,' Hogarth studied under a goldsmith and produced engraved designs in 1710. His works pertained to satirical commentary on the contemporary norms. His work ranged from realistic portraiture to comic-strip like series of pictures called modern moral subjects, the best known being his moral series "A Harlot's Progress," "A Rake's Progress," and "Marriage A-La-Mode."