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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Los Fuegos Artificiales by Annie Dowhie, Image 1.

    Annie Dowhie

    Los Fuegos Artificiales, 1982

    Lithograph on paper

    17.25 x 7.5 in (43.82 x 19.05 cm)

  2. Print Dealer and His Lamp by Sigmund Abeles, Image 1.

    Sigmund Abeles

    Print Dealer and His Lamp, 1979

    Lithograph on paper

    22.4375 x 15.125 in (56.99 x 38.42 cm)

  3. Double X by Doug Warner, Image 1.

    Doug Warner

    Double X, 1978

    Lithograph on paper

    17.25 x 15 in (43.82 x 38.1 cm)

  4. Earth Radiating Into Infinity by Stanley E. Lea, Image 1.

    Stanley E. Lea

    Earth Radiating Into Infinity, 1977

    Collograph on paper

    18 x 24 in (45.72 x 60.96 cm)

  5. Gazelles by Nicholas Monro, Image 1.

    Nicholas Monro

    Gazelles, 1973

    Screenprint on paper

    27.375 x 40.3125 in (69.53 x 102.39 cm)

  6. Hawaiian Goose, from Series I of the Vanishing Species of Birds, Plate IV by Richard Evans Younger, Image 1.

    Richard Evans Younger

    Hawaiian Goose, from Series I of the Vanishing Species of Birds, Plate IV, 1966

    Offset Lithograph on paper

    25.5 x 21.125 in (64.77 x 53.66 cm)

  7. Composition Bleu by Wassily Kandinsky, Image 1.

    Wassily Kandinsky

    Composition Bleu, 1929

    Color lithograph on paper

    20.25 x 13.25 in (51.44 x 33.66 cm)

  8. Verbruderung by Käthe Kollwitz, Image 1.

    Käthe Kollwitz

    Verbruderung, 1924

    Lithograph on paper

    9.25 x 6.625 in (23.5 x 16.83 cm)

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About the artist

John Brunsdon

British

1933–2014

British painter and printmaker. Brunsdon is a member of the Royal College of Art (RCA) in London. He was resident at Digswell House from 1858 to 1863 when he began teaching portrait painting part-time at St. Albans School of Art. He established the printmaking department at St. Albans in 1969, where he taught full-time until moving to Suffolk in 1977. Brunsdon was a full member of The Royal Society of Painter-Printmakers and a founder member of The Printmakers Council. His subject matter consisted largely of landscapes. His images were influenced by American abstract expressionists such as Kline and Motherwell. He was fascinated by man's mark on the landscape, particularly the contrast between buildings and countryside: one temporary the other timeless and primeval.