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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Memorial by Squeak Carnwath, Image 2.

    Squeak Carnwath

    Memorial, 2006

    Intaglio, lithography on Rives BFK white

    16.875 x 16.875 in (42.86 x 42.86 cm)

  2. Another Page, from the portfolio "Utopia" by Debra Durst, Image 1.

    Debra Durst

    Another Page, from the portfolio "Utopia", 1989

    Letterpress on paper

    22.5 x 14.875 in (57.15 x 37.78 cm)

  3. Music of Gershwin by Stanton MacDonald-Wright, Image 1.

    Stanton MacDonald-Wright

    Music of Gershwin, 1973

    Lithograph on paper

    19.875 x 25.875 in (50.48 x 65.72 cm)

  4. Les Banx by Julian Trevelyan, Image 1.

    Julian Trevelyan

    Les Banx, 1973

    Etching on paper

    24.125 x 30.625 in (61.28 x 77.79 cm)

  5. Untitled, from London Series I by Robert Motherwell, Image 1.

    Robert Motherwell

    Untitled, from London Series I, 1971

    Screenprint on paper

    41 x 28.875 in (104.14 x 73.34 cm)

  6. Primary Series, Blue Stone by Lee Krasner, Image 1.

    Lee Krasner

    Primary Series, Blue Stone, 1969

    Lithograph in colors on Arches paper

    22.75 x 30 in (57.79 x 76.2 cm)

  7. Dramatic Works of Shakespeare - King Henry the Fourth by John Boydell, Image 1.

    John Boydell

    Dramatic Works of Shakespeare - King Henry the Fourth, 1803

    Engraving on paper

    19.875 x 14.5 in (50.48 x 36.83 cm)

  8. The Company of Undertakers by William Hogarth, Image 1.

    William Hogarth

    The Company of Undertakers, 1736

    Etching and engraving on paper

    11.25 x 7.25 in (28.58 x 18.42 cm)

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About the artist

Robert Weaver

American

1935-2018

American painter, illustrator, and draftsman. Weaver studied at Carnegie Institute for Technology in Pittsburg, as well as in Venice, where he was influenced by Roberto Rossellini and Vittorio DeSica. He prreferred unglamorized realism to abstraction. His work combined loose, rough-hewn rendering, deft abbreviations, and collage to create realistic images.