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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Eye #10 (Telephone Wires) by Alex Prager, Image 1.

    Alex Prager

    Eye #10 (Telephone Wires), 2012

    Archival pigment print

    16.25 x 18.75 in (41.28 x 47.63 cm)

  2. Flying; Bordeaux by Alain Laboile, Image 1.

    Alain Laboile

    Flying; Bordeaux, 2011

    Archival pigment photograph

    11 x 16.5 in (27.94 x 41.91 cm)

  3. William Dunlap, McLean, Va. by William R. Ferris, Image 1.

    William R. Ferris

    William Dunlap, McLean, Va., 1982

    Gelatin silver print

    9 x 13.5 in (22.86 x 34.29 cm)

  4. Betty by Frank Huntington Stack, Image 1.

    Frank Huntington Stack

    Betty, 1981

    Lithograph on paper

    11.25 x 9.0625 in (28.58 x 23.02 cm)

  5. Visible Difference by Howard Kanovitz, Image 1.

    Howard Kanovitz

    Visible Difference, 1980

    Lithograph on paper

    32.75 x 23.875 in (83.19 x 60.64 cm)

  6. Sloping Shafts by John Henry, Image 1.

    John Henry

    Sloping Shafts, 1974

    Lithograph on paper

    23.125 x 16 in (58.74 x 40.64 cm)

  7. Delta by Herb Jackson, Image 1.

    Herb Jackson

    Delta, 1974

    Lithograph on paper

  8. The Swing, from A Hungarian Memory Portfolio by André Kertész, Image 1.

    André Kertész

    The Swing, from A Hungarian Memory Portfolio, 1917

    Gelatin silver print

    8 x 9.875 in (20.32 x 25.08 cm)

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About the artist

Juan Genovés

Spanish

1930-2020

Spanish painter. Genoves was part of the post-war Spanish art scene, studied at the Valencia Art College. He was concerned with the state of the environment, the opposition movements of the time against the Franco regime, and the interplay of the “individual” and the “crowd." His paintings were largely landscapes, with dull hues to make up “spaces of loneliness” within the crowd. His later work focused on political realism, in which he manipulated images in the media.