Skip to profile content
Discovery
Log In

Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Poppy Pods by Joyce Tenneson, Image 2.

    Joyce Tenneson

    Poppy Pods, 2020

    Archival pigment print

    22 x 17 in (55.88 x 43.18 cm)

  2. Camphor Leaves by Aliansyah Caniago, Image 1.

    Aliansyah Caniago

    Camphor Leaves, 2017

    Leaves, graphite, plastic bags, and pins

    25.625 x 27.125 in (65.09 x 68.9 cm)

  3. Border Wall, Border Patrol Car, and Barbed Wire (Muro fronterizo, vehículo de la Patrulla Fronter... by Susan Harbage Page, Image 1.

    Susan Harbage Page

    Border Wall, Border Patrol Car, and Barbed Wire (Muro fronterizo, vehículo de la Patrulla Fronter..., 2012

    Color inkjet print on cotton rag paper

    17 x 22 in (43.18 x 55.88 cm)

  4. Your Face is Momentary by Ryan O'Malley, Image 1.

    Ryan O'Malley

    Your Face is Momentary, 2009

    Lithograph on paper

    22.125 x 30 in (56.2 x 76.2 cm)

  5. English Tea Cup by Richard Black, Image 1.

    Richard Black

    English Tea Cup, 1983

    Lithograph on paper

    15 x 17.75 in (38.1 x 45.09 cm)

  6. An African Folktale by Willow Legge, Image 9.

    Willow Legge

    An African Folktale, 1979

    Screenprint and embossing on paper

    14.875 x 11.4375 in (37.78 x 29.05 cm)

  7. Grünsein wien Grünschwein by Dieter Roth, Image 1.

    Dieter Roth

    Grünsein wien Grünschwein, 1974

    Glue and acrylic on screenprinting on offsetprinting on card on board

    19.5 x 27.5 in (49.53 x 69.85 cm)

  8. Evergreen by John Muench, Image 1.

    John Muench

    Evergreen, 1969

    Lithograph with poem by Bernard Bockes on paper

    21.875 x 16.9375 in (55.56 x 43.02 cm)

View All Artworks

About the artist

Jeffrey Maron

American

b. 1949

American sculptor, painter, jewelry-maker, and furniture-maker. Maron graduated from Washington University in St. Louis (1973) with an MFA in Fine Arts (sculpture) and a BS in Sociology. Having lived in Japan, he was influenced by the idea of animism and "the worship of an inclusive natural order." His work is abstract, utilizing organic colors and geometric line, and is meant to be a connection to the spiritual identity.