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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Unseen by Linda Foard Roberts, Image 1.

    Linda Foard Roberts

    Unseen, 2018

    Gelatin silver print

    24 x 28 in (60.96 x 71.12 cm)

  2. Military Apparition, NYC, Social Context by Larry Fink, Image 1.

    Larry Fink

    Military Apparition, NYC, Social Context, 1987

    Gelatin silver print

    19.875 x 15.875 in (50.48 x 40.32 cm)

  3. Andre Heller by Andy Warhol, Image 1.

    Andy Warhol

    Andre Heller, 1981

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  4. Othar Turner and Sharde Turner, Gravel Springs by William R. Ferris, Image 1.

    William R. Ferris

    Othar Turner and Sharde Turner, Gravel Springs, 1976

    Gelatin silver print

    11 x 17 in (27.94 x 43.18 cm)

  5. Kim Novak & Vittorio DeSica in Moll Flanders by Philippe Halsman, Image 1.

    Philippe Halsman

    Kim Novak & Vittorio DeSica in Moll Flanders, 1964

    Gelatin silver print

    13.875 x 11 in (35.24 x 27.94 cm)

  6. Processing Apricots by Todd Webb, Image 1.

    Todd Webb

    Processing Apricots, 1951

    Gelatin silver print

    7.25 x 9.25 in (18.42 x 23.5 cm)

  7. Love, Harlem by Sonia Handelman Meyer, Image 1.

    Sonia Handelman Meyer

    Love, Harlem, ca. 1940-1949

    Gelatin silver print

    10 x 10 in (25.4 x 25.4 cm)

  8. Peter MacGill

    Untitled, 1976-1977

    Gelatin silver print

    6 x 6 in (15.24 x 15.24 cm)

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About the artist

Sandy Skoglund

American

b. 1946

Sandy Skoglund moved to New York City in 1972, where she started working as a conceptual artist, dealing with repetitive, process-oriented art production through the techniques of mark making and photocopying. In the late 1970s Skoglund’s desire to document conceptual ideas led her to teach herself photography. This resulted in the kind of “staged photography” that other artists became involved with starting in the 1980s such as Cindy Sherman and David LaChapelle. This was a larger result of an interest in popular culture and commercial picture making strategies. These works bridge the boundaries between sculpture, installation art, and photography. She is renowned for her large format photographs of the original impermanent installations.