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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. An UFO, 06 by Gene Merritt, Image 1.

    Gene Merritt

    An UFO, 06, 2006

    Ink on paper

    11 x 8.5 in (27.94 x 21.59 cm)

  2. Nude in Bed by Sigmund Abeles, Image 1.

    Sigmund Abeles

    Nude in Bed, 1978

    Lithograph on paper

    11.0625 x 14.875 in (28.1 x 37.78 cm)

  3. The Passerby by Stephen White, Image 1.

    Stephen White

    The Passerby, 1974

    Woodcut on paper

  4. Late Afternoon by Gordon Mortensen, Image 1.

    Gordon Mortensen

    Late Afternoon, 1974

    Woodcut on paper

    17.25 x 23.5 in (43.82 x 59.69 cm)

  5. Boats by Nicholas Monro, Image 1.

    Nicholas Monro

    Boats, 1973

    Screenprint on paper

    20.125 x 37.875 in (51.12 x 96.2 cm)

  6. Passage by Herb Jackson, Image 1.

    Herb Jackson

    Passage, 1972

    Lithograph on paper

    18 x 29.5 x 1.5 in (45.72 x 74.93 x 3.81 cm)

  7. Green (A) by Gordon House, Image 1.

    Gordon House

    Green (A), 1972

    Screenprint on paper

    40.25 x 27.25 in (102.24 x 69.22 cm)

  8. C.L. Redwine and Corine Gardner, Coahoma County by William R. Ferris, Image 1.

    William R. Ferris

    C.L. Redwine and Corine Gardner, Coahoma County, 1968

    Gelatin silver print

    11 x 17 in (27.94 x 43.18 cm)

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About the artist

Julian Trevelyan

British

1910-1988

English artist and poet. Trevelyan moved to Paris to learn etching and to pursue a career as an artist alongside Max Ernst, Joan Miro, and Pablo Picasso. He served as a camofleur for the British in World War II. He gained much of his inspiration from his home and studio on the Thames. He is known for his paintings and for his wife Mary Fedden, an accomplished artist herself. In 1935, he was a part of the International Surrealist Exhibition. He was the head of the etching department at Royal College of Art; David Hockney and Norman Ackroyd were some of his students.