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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. James Bond, 1998 by Gene Merritt, Image 1.

    Gene Merritt

    James Bond, 1998, 1998

    Ink on paper

    12 x 9 in (30.48 x 22.86 cm)

  2. Philadelphia Cemetery by David Schofield, Image 1.

    David Schofield

    Philadelphia Cemetery, 1985

    Ink on parchment

    30 x 70 in (76.2 x 177.8 cm)

  3. A Gate for the City by David Sharir, Image 1.

    David Sharir

    A Gate for the City, 1979

    Screenprint on paper

    23.375 x 29.9375 in (59.37 x 76.04 cm)

  4. Hot Dog Bridge by Russell T. Gordon, Image 1.

    Russell T. Gordon

    Hot Dog Bridge, 1974

    Lithograph on paper

    17 x 17.3125 in (43.18 x 43.97 cm)

  5. Open by Herb Jackson, Image 2.

    Herb Jackson

    Open, 1973

    Lithograph on paper

    22 x 30 in (55.88 x 76.2 cm)

  6. Max Ernst

    Les Chiens Ont Soif, 1964

    Colored etching on Velin d'Arches pur chiffon paper in clamshell box

    17.125 x 12 in (43.5 x 30.48 cm)

  7. Marriage A-la-Mode, Plate VI by William Hogarth, Image 1.

    William Hogarth

    Marriage A-la-Mode, Plate VI, 1797

    Engraving on paper

    14.5 x 17.25 in (36.83 x 43.82 cm)

  8. Georgia Blizzard by Roger Manley, Image 1.

    Roger Manley

    Georgia Blizzard

    Gelatin silver print

    13.5 x 14.25 in (34.29 x 36.2 cm)

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About the artist

Stephen White

American

b. 1939

Stephen White is a North Carolina painter born in Winston-Salem. He is a contemporary and American post-war painter who has created many pieces focused around a model named Marian. White was initially inspired by Marian to paint female figures. She left such an impression on him that White made a career for himself painting stylized figures based on Marian. Whether working on wood panels, boxes, or glass, White's work is distinct and recognizable. He uses the Byzantine technique of applying pure gold-leaf in sheets to his painted figures, creating the images that have become known as "Stephen's ladies."