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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. X by Dugan, Image 2.

    Dugan

    X, 1991

    Etching and chine-collé on paper

    12.5 x 11 in (31.75 x 27.94 cm)

  2. The Jim and Tammy Show by Roger Brown, Image 1.

    Roger Brown

    The Jim and Tammy Show, 1987

    Lithograph on paper

    21.75 x 32.25 in (55.25 x 81.92 cm)

  3. Weaver's Blue Dream by Richard Black, Image 1.

    Richard Black

    Weaver's Blue Dream, 1980

    Lithograph on paper

    22 x 14.125 in (55.88 x 35.88 cm)

  4. Peter Beard, Montauk, NY, Social Context by Larry Fink, Image 1.

    Larry Fink

    Peter Beard, Montauk, NY, Social Context, 1977

    Gelatin silver print

    19.875 x 15.875 in (50.48 x 40.32 cm)

  5. Silver I by Jonathan Clemens, Image 1.

    Jonathan Clemens

    Silver I, 1977

    Woodcut on paper

    24.5 x 17.5 in (62.23 x 44.45 cm)

  6. Untitled by Richard Howard Hunt, Image 1.

    Richard Howard Hunt

    Untitled, 1972

    Lithograph on paper

    22 x 19 in (55.88 x 48.26 cm)

  7. Fugue I by William Turnbull, Image 1.

    William Turnbull

    Fugue I, 1971

    Screenprint on paper

    23.125 x 31.375 in (58.74 x 79.69 cm)

  8. Don Quixote by David Solot, Image 1.

    David Solot

    Don Quixote, c. 1950

    Lithograph on paper

    18.75 x 14.5 in (47.63 x 36.83 cm)

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About the artist

Reginald Pollack

American

1921-2001

Reginald Pollack first studied art under Moses Soyer at the High School of Music and Art in New York. He served in World War II in the 87th Mountain Infantry, and post-war, Pollack studied the G.I. Bill in Paris and lived there until 1961. He began exhibiting works during the early 1950’s at the Peridot Gallery in New York where he also taught at Cooper Union and Yale University. Later, Pollack settled in Los Angeles in 1963 and exhibited at the Felix Landau and Jefferson Galleries. His works represent heavy influence by Cézanne and Bonnard with themes ranging from portraits to landscapes, as well as metaphysical images. In the early 1960’s, he developed a more efficient method of creating lithographs by utilizing a special plastic base. His works can be found at the Metropolitan Museum of Art, the Stanford University Museum of Art and many other museums.