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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Collaboration: Visitor by Jim McCormick, Image 1.

    Jim McCormick

    Collaboration: Visitor, 1979

    Lithograph on paper

    11.3125 x 16 in (28.73 x 40.64 cm)

  2. Mary Gordon, Rose Hill by William R. Ferris, Image 1.

    William R. Ferris

    Mary Gordon, Rose Hill, 1978

    Gelatin silver print

    17 x 11 in (43.18 x 27.94 cm)

  3. Untitled by Doug Warner, Image 1.

    Doug Warner

    Untitled, 1978

    Lithograph on paper

    11.25 x 7.625 in (28.58 x 19.37 cm)

  4. Untitled by Peter Agostini, Image 1.

    Peter Agostini

    Untitled, 1974

    Lithograph on paper

    26.375 x 32.1875 in (66.99 x 81.76 cm)

  5. Earth by Herb Jackson, Image 1.

    Herb Jackson

    Earth, 1973

    Lithograph on paper

    22 x 29.875 in (55.88 x 75.88 cm)

  6. Flood by Nicholas Monro, Image 1.

    Nicholas Monro

    Flood, 1972

    Screenprint on paper

    27.5 x 40.125 in (69.85 x 101.92 cm)

  7. Lines with Breadth Supercede by William Scott, Image 1.

    William Scott

    Lines with Breadth Supercede, 1972

    Screenprint on paper

    22.875 x 15.375 in (58.1 x 39.05 cm)

  8. Light of the World, G by Robyn Denny, Image 1.

    Robyn Denny

    Light of the World, G, 1970

    Screenprint on paper

    29.25 x 32 in (74.3 x 81.28 cm)

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About the artist

Larry Fink

American

1941-2023

Larry Fink was born in 1941 and studied at the New School for Social Research under photographer Lisette Model. He later worked for several institutions, such as Yale University School of Art and Bard College. In 1976 and 1979, he received the Guggenheim Fellowship and the National Endowment for the Arts Individual Photography Fellowships in 1978 and 1986. Fink's most famous works were black-and-white photographs that captured people at parties and other social gatherings. He is known for his series Social Graces, where he explored social class in America in the 1970s by comparing two different worlds: that of wealthy, urban New Yorkers and that of rural, working class Pennsylvanians at events like birthday parties. The series was printed by Aperture in 1984. Fink's photographs are held in the Bibliotheque Nationale in Paris, The Museum of Modern Art in New York, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C., among others. He died in 2023.