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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Twilight's Last Gleaming by Hank Willis Thomas, Image 1.

    Hank Willis Thomas

    Twilight's Last Gleaming, 2024

    28-color silkscreen print on 310gsm Arches Platine

    13 x 19 in (33.02 x 48.26 cm)

  2. Untitled (However Vast) by Raymond Pettibon, Image 2.

    Raymond Pettibon

    Untitled (However Vast), 2007

    Color lithograph on wove paper

    30 x 22 in (76.2 x 55.88 cm)

  3. Dark Moon by Herb Jackson, Image 1.

    Herb Jackson

    Dark Moon, 1989

    Etching and aquatint on paper

    9.5 x 7.75 in (24.13 x 19.69 cm)

  4. Vincent Attends "Homage to Van Gogh" Exhibit at Moma by Greg Constantine, Image 1.

    Greg Constantine

    Vincent Attends "Homage to Van Gogh" Exhibit at Moma, 1982

    Lithograph on paper

    15.25 x 22.75 in (38.74 x 57.79 cm)

  5. Untitled by Richard Howard Hunt, Image 1.

    Richard Howard Hunt

    Untitled, 1972

    Lithograph on paper

    21.75 x 29.75 in (55.25 x 75.57 cm)

  6. The Lord Was Their Shepherd by Robert Ernst Marx, Image 1.

    Robert Ernst Marx

    The Lord Was Their Shepherd, 1970

    Etching with poem by Gwendolyn Brooks

    20 x 14.25 in (50.8 x 36.2 cm)

  7. General Dynamic F.U.N. by Eduardo Paolozzi, Image 1.

    Eduardo Paolozzi

    General Dynamic F.U.N., 1965/70

    Photolithograph on paper

    15 x 10 in (38.1 x 25.4 cm)

  8. The Four Evangelists, St. Luke by Jacques de Gheyn, Image 1.

    Jacques de Gheyn

    The Four Evangelists, St. Luke, 16th century

    Engraving on paper

    7.75 x 5.75 in (19.69 x 14.61 cm)

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About the artist

Liliane Lijn

American

b. 1939

American-born artist who was the first woman artist to work with kinetic text. Her work is known for its explorations into light, movement and text through her 'Poem Machines'. Lijn is also recognized for pioneering the interaction of art, science, technology, eastern philosophy and female mythology. She self-describes her work as "a constant dialogue between opposites, [her] sculptures use light and motion to transform themselves from solid to void, opaque to transparent, formal to organic.’ Her formal training included studying archaeology at the Sorbonne, and Art History at the Ecole du Louvre, in Paris.