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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Lost in My Life (Chiral Lines 3) by Rachel Perry, Image 1.

    Rachel Perry

    Lost in My Life (Chiral Lines 3), 2016

    Digital pigment

    55 x 36 in (139.7 x 91.44 cm)

  2. Night Mirror by Sara VanDerBeek, Image 1.

    Sara VanDerBeek

    Night Mirror, 2010

    Digital Chromogenic print

    16 x 20 in (40.64 x 50.8 cm)

  3. Untitled, from the portfolio "Utopia" by Patricia Hackett, Image 1.

    Patricia Hackett

    Untitled, from the portfolio "Utopia", 1989

    Silkscreen on paper

    22.5 x 14.875 in (57.15 x 37.78 cm)

  4. Self-portrait at 45 by John H. Hunter, Image 1.

    John H. Hunter

    Self-portrait at 45, 1979

    Lithograph on paper

    15.25 x 22.5 in (38.74 x 57.15 cm)

  5. Altered Spheres by John Wallace, Image 1.

    John Wallace

    Altered Spheres, 1975

    Lithograph on paper

    30 x 22.5 in (76.2 x 57.15 cm)

  6. Portrait of a Lady by George Lockwood, Image 1.

    George Lockwood

    Portrait of a Lady, 1965

    Lithograph on paper

    25.5 x 17.125 in (64.77 x 43.5 cm)

  7. Man in Frame, Queens, NYC by N. Jay Jaffee, Image 1.

    N. Jay Jaffee

    Man in Frame, Queens, NYC, 1950

    Gelatin silver print

    13.875 x 10.875 in (35.24 x 27.62 cm)

  8. Pharsianus Torquatus by Harold Stephen Baldwin, Image 1.

    Harold Stephen Baldwin

    Pharsianus Torquatus, 20th century

    Watercolor on paper

    19 x 29 in (48.26 x 73.66 cm)

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About the artist

Liliane Lijn

American

b. 1939

American-born artist who was the first woman artist to work with kinetic text. Her work is known for its explorations into light, movement and text through her 'Poem Machines'. Lijn is also recognized for pioneering the interaction of art, science, technology, eastern philosophy and female mythology. She self-describes her work as "a constant dialogue between opposites, [her] sculptures use light and motion to transform themselves from solid to void, opaque to transparent, formal to organic.’ Her formal training included studying archaeology at the Sorbonne, and Art History at the Ecole du Louvre, in Paris.