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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Luca and Kamryn, from Spaces of Comfort by Endia Beal, Image 1.

    Endia Beal

    Luca and Kamryn, from Spaces of Comfort, 2023

    Archival pigment print

    40 x 120 in (101.6 x 304.8 cm)

  2. skies on my left and skies beneath my feet. the pools, open. the windows, transport by Ruby Onyinyechi Amanze, Image 2.

    Ruby Onyinyechi Amanze

    skies on my left and skies beneath my feet. the pools, open. the windows, transport, 2020

    Digital pigment and silkscreen print with gold leaf and hand-applied elements on Somerset Velvet 330 gsm paper

    24 x 18 in (60.96 x 45.72 cm)

  3. Immigration Reform by Shepard Fairey, Image 1.

    Shepard Fairey

    Immigration Reform, 2009

    Screenprint on paper

    24 x 17.9 in (60.96 x 45.47 cm)

  4. Unidentified Man by Andy Warhol, Image 1.

    Andy Warhol

    Unidentified Man, 1985

    Black and white print

    8 x 10 in (20.32 x 25.4 cm)

  5. Marilyn Bridges

    Cherhill Horse, Wiltshire, from the Heightened Perspectives series, 1985

    Gelatin silver print

    16 x 19.75 in (40.64 x 50.17 cm)

  6. Adolescent by Adrian Van Suchtelen, Image 1.

    Adrian Van Suchtelen

    Adolescent, 1982

    Lithograph on paper

    10.25 x 14 in (26.04 x 35.56 cm)

  7. Paul Dockery and Horses, Anderson Branch/Madison County, North Carolina by Tim Barnwell, Image 1.

    Tim Barnwell

    Paul Dockery and Horses, Anderson Branch/Madison County, North Carolina, 1980

    Gelatin silver print

    11.375 x 10.5 in (28.89 x 26.67 cm)

  8. Seashore I by Cecilia Davila, Image 1.

    Cecilia Davila

    Seashore I, 1979

    Etching on paper

    29.6875 x 22.6875 in (75.41 x 57.63 cm)

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About the artist

Barbara Morgan

American

1900-1992

Born in Buffalo, Kansas, and raised in Southern California, Barbara Morgan attended UCLA and taught design, woodcut, and painting there. After attending a performance by the fledgling Martha Graham Company, Morgan began to work on a book of photographs capturing Graham’s dancers. After this, she continued to photograph other modern dancers, capturing individual, fleeting moments and turning them timeless. Morgan is also remembered as a co-founder of Aperture magazine in 1951, one of the few publications at the time to nurture a dialogue among photographers and treat photography as a fine art. Her works are held in the collections of the National Portrait Gallery in Washington, D.C., The Museum of Modern Art in New York, and the National Gallery of Canada in Ottawa, among others.