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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Jaune Quick-To-See Smith

    Wasatch Winter, 2002

    Lithograph on Arches paper

    37.75 x 24.5 in (95.89 x 62.23 cm)

  2. Wedding, Hands Around Back, NYC, Social Context by Larry Fink, Image 1.

    Larry Fink

    Wedding, Hands Around Back, NYC, Social Context, 1988

    Gelatin silver print

    19.875 x 15.875 in (50.48 x 40.32 cm)

  3. Polka Dots and the Moon Beams by George Raymond Kerciu, Image 1.

    George Raymond Kerciu

    Polka Dots and the Moon Beams, 1980

    Lithograph on paper

    22.25 x 15 in (56.52 x 38.1 cm)

  4. Karel Appel

    Devil Cat, 1978

    Lithograph on paper

  5. Lady of the House II by Seymour Rosofsky, Image 1.

    Seymour Rosofsky

    Lady of the House II, 1974

    Oil on canvas

    37 x 35 in (93.98 x 88.9 cm)

  6. The Chanter by Hanne Greaver, Image 1.

    Hanne Greaver

    The Chanter, 1972

    Woodcut on paper

    32 x 24.0625 in (81.28 x 61.12 cm)

  7. Fugue IV by William Turnbull, Image 1.

    William Turnbull

    Fugue IV, 1971

    Screenprint on paper

    23.625 x 31.5 in (60.01 x 80.01 cm)

  8. Untitled by Simmons Jones, Image 1.

    Simmons Jones

    Untitled, 1964

    Offset print on paper mounted to board

    14.5 x 10 in (36.83 x 25.4 cm)

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About the artist

Bob Camblin

American

1928-2010

American paintiner and drawer. Camblin earned his M.F.A in painting at the Kansas City Art Institute in 1955. He then moved on to teach studio art at Rice University alongside Joe Tate and Earl Staley. Camblin has always been cautious of the interpretations of his works. He treats his subject matter as a collection of 'fragments,' which do not have an overt metaphorical vlaue or meaning. His use of imagery is ever-changing, constantly altered by water, opaque white and colored pigments. He is purisit in this sense, and has adopted a variety of genre and personas throughout his artistic career.