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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. skies on my left and skies beneath my feet. the pools, open. the windows, transport by Ruby Onyinyechi Amanze, Image 2.

    Ruby Onyinyechi Amanze

    skies on my left and skies beneath my feet. the pools, open. the windows, transport, 2020

    Digital pigment and silkscreen print with gold leaf and hand-applied elements on Somerset Velvet 330 gsm paper

    24 x 18 in (60.96 x 45.72 cm)

  2. Head of Young Woman by DeWitt Hardy, Image 1.

    DeWitt Hardy

    Head of Young Woman, 1976

    Lithograph on paper

    12.5 x 9.75 in (31.75 x 24.77 cm)

  3. Village Hillside by Linda Plotkin, Image 1.

    Linda Plotkin

    Village Hillside, 1976

    Lithograph on paper

    22.25 x 30 in (56.52 x 76.2 cm)

  4. Sculptures I by Joan Miró, Image 1.

    Joan Miró

    Sculptures I, 1974

    Color lithograph on paper

    11 x 22 in (27.94 x 55.88 cm)

  5. Self Portrait With Saddles by Sigmund Abeles, Image 1.

    Sigmund Abeles

    Self Portrait With Saddles, 1972

    Lithograph on paper

    30 x 21.75 in (76.2 x 55.25 cm)

  6. Smog Alert Over Santa Monica - Turner's Ship Steaming Ahead by Joseph Goldyne, Image 1.

    Joseph Goldyne

    Smog Alert Over Santa Monica - Turner's Ship Steaming Ahead, 1972-1973

    Etching on paper

  7. Garden by Mel Pekarsky, Image 1.

    Mel Pekarsky

    Garden, 1967

    Etching on paper

    8.75 x 6 in (22.23 x 15.24 cm)

  8. Arthur Segal

    Untitled, No date

    Woodcut on paper

    11.25 x 15.5 in (28.58 x 39.37 cm)

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About the artist

William Scott

British

1913-1989

British painter. Known for his non-objective works that explore the space between abstraction and figuration due to his interest in themes of still-life, landscape and the female nude. Attended the Belfast School of Art before painting at the Royal Academy Schools. Exhibited at the Paris Salon d’Automne, 1938. Joined the army in July 1942 with the Royal Army Ordnance Corps and then as a lithographic draughtsman with the Royal Engineers. Taught at the Bath Academy of Art as Senior Painting Master before painting full-time from 1956 onward. Represented Great Britain at the 1958 Venice Biennale and at the 1961 São Paulo Bienal where he won the Sanbra (International Critics) Purchase Prize, amongst others.