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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Gloves at Lake Michigan by Pat Hardy, Image 1.

    Pat Hardy

    Gloves at Lake Michigan, 1977

    Lithograph on paper

    22.25 x 15 in (56.52 x 38.1 cm)

  2. Pod III, Open by Herb Jackson, Image 1.

    Herb Jackson

    Pod III, Open, 1977

    Lithograph on paper

    29.0625 x 22.25 in (73.82 x 56.52 cm)

  3. Field Studies VIII by Paul Stewart, Image 1.

    Paul Stewart

    Field Studies VIII, 1974

    Lithograph on paper

    22.25 x 29.625 in (56.52 x 75.25 cm)

  4. Custer's Cavalry #7 Lieutenant Sturgis - Killed on the Ridge by John Sandlin, Image 1.

    John Sandlin

    Custer's Cavalry #7 Lieutenant Sturgis - Killed on the Ridge, 1973

    Lithograph on paper

    40 x 30 in (101.6 x 76.2 cm)

  5. Watertower IV by Allan D'Arcangelo, Image 1.

    Allan D'Arcangelo

    Watertower IV, 1973

    Screenprint on paper

    27.75 x 22 in (70.49 x 55.88 cm)

  6. Triangles Within a Square V by Gordon House, Image 1.

    Gordon House

    Triangles Within a Square V, 1971

    Etching on paper

    24.75 x 17.875 in (62.87 x 45.4 cm)

  7. Indian View E by Howard Hodgkin, Image 1.

    Howard Hodgkin

    Indian View E, 1971

    Screenprint on paper

    22.75 x 30.25 in (57.79 x 76.84 cm)

  8. Garden by Mel Pekarsky, Image 1.

    Mel Pekarsky

    Garden, 1967

    Etching on paper

    8.75 x 6 in (22.23 x 15.24 cm)

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About the artist

William Scott

British

1913–1989

British painter. Known for his non-objective works that explore the space between abstraction and figuration due to his interest in themes of still-life, landscape and the female nude. Attended the Belfast School of Art before painting at the Royal Academy Schools. Exhibited at the Paris Salon d’Automne, 1938. Joined the army in July 1942 with the Royal Army Ordnance Corps and then as a lithographic draughtsman with the Royal Engineers. Taught at the Bath Academy of Art as Senior Painting Master before painting full-time from 1956 onward. Represented Great Britain at the 1958 Venice Biennale and at the 1961 São Paulo Bienal where he won the Sanbra (International Critics) Purchase Prize, amongst others.