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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Drawn to Berlin, Page 29-35 by Ali Fitzgerald, Image 7.

    Ali Fitzgerald

    Drawn to Berlin, Page 29-35, 2018

    Inkjet print on paper

    20 x 16.125 in (50.8 x 40.96 cm)

  2. Ball Rack, Island Bowl, Governors Island, NY by Lisa Kereszi, Image 1.

    Lisa Kereszi

    Ball Rack, Island Bowl, Governors Island, NY, 2003

    Archival pigment print, flush-mounted on Dibond

    30 x 37.25 in (76.2 x 94.62 cm)

  3. Winstone XIV by Herb Jackson, Image 1.

    Herb Jackson

    Winstone XIV, 1986

    Lithographc ink and oil crayon on paper

    40 x 30 in (101.6 x 76.2 cm)

  4. Jon Gould by Andy Warhol, Image 2.

    Andy Warhol

    Jon Gould, 1982

    Gelatin silver print

    10 x 8 in (25.4 x 20.32 cm)

  5. East End Trilogy by Howard Kanovitz, Image 1.

    Howard Kanovitz

    East End Trilogy, 1980

    Lithograph on paper

    32.75 x 24.25 in (83.19 x 61.6 cm)

  6. Aspen Tree by Brett Weston, Image 1.

    Brett Weston

    Aspen Tree, 1972

    Vintage gelatin silver print, with original negative envelope

    9.9375 x 7.9375 in (25.24 x 20.16 cm)

  7. Astres et Désastres (Stars and Disasters) by Pierre Alechinsky, Image 1.

    Pierre Alechinsky

    Astres et Désastres (Stars and Disasters), 1969

    Aquatint on paper

    15.375 x 19 in (39.05 x 48.26 cm)

  8. Bobby Denver by Gene Merritt, Image 1.

    Gene Merritt

    Bobby Denver

    Ink on paper

    11 x 8.5 in (27.94 x 21.59 cm)

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About the artist

William Scott

British

1913-1989

British painter. Known for his non-objective works that explore the space between abstraction and figuration due to his interest in themes of still-life, landscape and the female nude. Attended the Belfast School of Art before painting at the Royal Academy Schools. Exhibited at the Paris Salon d’Automne, 1938. Joined the army in July 1942 with the Royal Army Ordnance Corps and then as a lithographic draughtsman with the Royal Engineers. Taught at the Bath Academy of Art as Senior Painting Master before painting full-time from 1956 onward. Represented Great Britain at the 1958 Venice Biennale and at the 1961 São Paulo Bienal where he won the Sanbra (International Critics) Purchase Prize, amongst others.