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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Jaune Quick-To-See Smith

    Wasatch Winter, 2002

    Lithograph on Arches paper

    37.75 x 24.5 in (95.89 x 62.23 cm)

  2. Untitled by DeWitt Hardy, Image 1.

    DeWitt Hardy

    Untitled, 1976

    Lithograph on paper

    21 x 23.5 in (53.34 x 59.69 cm)

  3. Untitled by Harold Boyd, Image 1.

    Harold Boyd

    Untitled, 1976

    Lithograph on paper

    13 x 20 in (33.02 x 50.8 cm)

  4. A Line Between Two Cities by Rudy O. Pozzatti, Image 1.

    Rudy O. Pozzatti

    A Line Between Two Cities, 1975

    Lithograph on paper

    27.9375 x 32 in (70.96 x 81.28 cm)

  5. Untitled RHw15LS by Richard Howard Hunt, Image 1.

    Richard Howard Hunt

    Untitled RHw15LS, 1974

    Lithograph on paper

    23.5 x 33 in (59.69 x 83.82 cm)

  6. High Priest with Scepters by Harvey Breverman, Image 1.

    Harvey Breverman

    High Priest with Scepters, 1972

    Lithograph on paper

    22.25 x 28.5 in (56.52 x 72.39 cm)

  7. Cornered Circuit by Gordon House, Image 1.

    Gordon House

    Cornered Circuit, 1970

    Etching on paper

    24.25 x 17.125 in (61.6 x 43.5 cm)

  8. Trees by Richard Mayhew, Image 1.

    Richard Mayhew

    Trees, c. 1960

    Lithograph on paper

    10 x 12.75 in (25.4 x 32.39 cm)

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About the artist

Julian Trevelyan

British

1910–1988

English artist and poet. Trevelyan moved to Paris to learn etching and to pursue a career as an artist alongside Max Ernst, Joan Miro, and Pablo Picasso. He served as a camofleur for the British in World War II. He gained much of his inspiration from his home and studio on the Thames. He is known for his paintings and for his wife Mary Fedden, an accomplished artist herself. In 1935, he was a part of the International Surrealist Exhibition. He was the head of the etching department at Royal College of Art; David Hockney and Norman Ackroyd were some of his students.