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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Immigration Reform by Shepard Fairey, Image 1.

    Shepard Fairey

    Immigration Reform, 2009

    Screenprint on paper

    24 x 17.9 in (60.96 x 45.47 cm)

  2. Joel Shapiro

    Untitled (E), 2003

    Woodcut printed on on Gampi paper, mounted onto Hanga Dosa paper

  3. Wor(l)d -- No Place, from the portfolio "Utopia" by Reny Rao, Image 1.

    Reny Rao

    Wor(l)d -- No Place, from the portfolio "Utopia", 1989

    Intaglio and screenprint on paper

    22.5 x 14.875 in (57.15 x 37.78 cm)

  4. Untitled by Harold Boyd, Image 1.

    Harold Boyd

    Untitled, 1976

    Lithograph on paper

    12.875 x 19.75 in (32.7 x 50.17 cm)

  5. States of Mind I by Keith Achepohl, Image 2.

    Keith Achepohl

    States of Mind I, 1975

    Lithograph on paper

    21.125 x 18 in (53.66 x 45.72 cm)

  6. Fourth Print by Bernard Cohen, Image 1.

    Bernard Cohen

    Fourth Print, 1973

    Etching on paper

    16.8125 x 16.8125 in (42.7 x 42.7 cm)

  7. Bathroom Mirror by Patrick Caulfield, Image 1.

    Patrick Caulfield

    Bathroom Mirror, 1968

    Screenprint on paper

    27.875 x 35.625 in (70.8 x 90.49 cm)

  8. Jam Session by David Solot, Image 1.

    David Solot

    Jam Session, c. 1950

    Lithograph on paper

    18.875 x 14.5 in (47.94 x 36.83 cm)

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About the artist

William Hogarth

British

1697-1764

London artist in 18th century, renowned for his portrait series, 'conversation pieces,' Hogarth studied under a goldsmith and produced engraved designs in 1710. His works pertained to satirical commentary on the contemporary norms. His work ranged from realistic portraiture to comic-strip like series of pictures called modern moral subjects, the best known being his moral series "A Harlot's Progress," "A Rake's Progress," and "Marriage A-La-Mode."