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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Untitled (Passage) by Tonya Clay, Image 1.

    Tonya Clay

    Untitled (Passage), 2018

    Acrylic, fabric, paper, ink, leaves, polymer resin

    12.5 x 12 x 1.5 in (31.75 x 30.48 x 3.81 cm)

  2. Hoppers by Ryan O'Malley, Image 1.

    Ryan O'Malley

    Hoppers, 2008

    Lithograph on paper

    22.125 x 34.5 in (56.2 x 87.63 cm)

  3. Untitled (C) by Joel Shapiro, Image 1.

    Joel Shapiro

    Untitled (C), 2003

    Woodcut printed on Gampi paper, mounted onto Hanga Dosa paper

    26.25 x 18.34 in (66.68 x 46.58 cm)

  4. Expense Account by Dale Kennington, Image 1.

    Dale Kennington

    Expense Account, 1997

    Oil on canvas

    48 x 84 in (121.92 x 213.36 cm)

  5. Shrimp Fleet V by Carl Schwartz, Image 1.

    Carl Schwartz

    Shrimp Fleet V, 1980

    Lithograph on paper

    15 x 22.25 in (38.1 x 56.52 cm)

  6. Untitled, from Jamaica Botanical Series by William Eggleston, Image 1.

    William Eggleston

    Untitled, from Jamaica Botanical Series, c. 1978

    Chromogenic print

    13.875 x 16.875 in (35.24 x 42.86 cm)

  7. Yo by Adja Yunkers, Image 1.

    Adja Yunkers

    Yo, 1975

    Lithograph on paper

    21.5 x 16 in (54.61 x 40.64 cm)

  8. Homage to a Square by Josef Albers, Image 1.

    Josef Albers

    Homage to a Square, 1971

    Screenprint on paper

    13.625 x 13.625 in (34.61 x 34.61 cm)

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About the artist

William Hogarth

British

1697-1764

London artist in 18th century, renowned for his portrait series, 'conversation pieces,' Hogarth studied under a goldsmith and produced engraved designs in 1710. His works pertained to satirical commentary on the contemporary norms. His work ranged from realistic portraiture to comic-strip like series of pictures called modern moral subjects, the best known being his moral series "A Harlot's Progress," "A Rake's Progress," and "Marriage A-La-Mode."