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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Into the Sun 40 by Elijah Gowin, Image 1.

    Elijah Gowin

    Into the Sun 40, 2009

    Archival pigment print

    51 x 43 x 2.125 in (129.54 x 109.22 x 5.4 cm)

  2. Unidentified Woman (Red Ruby Earrings) by Andy Warhol, Image 1.

    Andy Warhol

    Unidentified Woman (Red Ruby Earrings), 1979

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  3. August Pyramid by Doug Warner, Image 1.

    Doug Warner

    August Pyramid, 1977

    Lithograph on paper

    18.25 x 24 in (46.36 x 60.96 cm)

  4. Water by Herb Jackson, Image 1.

    Herb Jackson

    Water, 1973

    Lithograph on paper

    21.75 x 29.375 in (55.25 x 74.61 cm)

  5. Wallington by Julian Trevelyan, Image 1.

    Julian Trevelyan

    Wallington, 1973

    Etching on paper

    30.25 x 24 in (76.84 x 60.96 cm)

  6. Arc Within a Square VI by Gordon House, Image 1.

    Gordon House

    Arc Within a Square VI, 1971

    Etching on paper

    24.75 x 17.875 in (62.87 x 45.4 cm)

  7. Boatman by Léon Hartl, Image 1.

    Léon Hartl

    Boatman, c. 1965

    Lithograph on paper

    12.5 x 9.75 in (31.75 x 24.77 cm)

  8. Swimming in the Liffey, Dublin by Alen MacWeeney, Image 1.

    Alen MacWeeney

    Swimming in the Liffey, Dublin, 1963

    Archival pigment print

    19 x 13 in (48.26 x 33.02 cm)

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About the artist

Tonya Clay

American

b. 1975

Tonya Clay was born in Champaign, Illinois in 1975 and earned a BFA from the University of Illinois, Champaign and MFA from Stoney Brook University. She exhibits her work internationally and is currently based in the the Sarasota/Bradenton, Tampa Bay area. She began her professional career as manager of a gallery in the West Chelsea Fine Arts Building in New York City. Clay creates provocative, thought provoking, social/psycho-analytical art in diverse media. Her work is based on her unique experiences that are also universal, and involves examination of the condition of the human mind, spirituality, history, social constructs, gender, and sexuality. It intends for viewers to be seduced by the vibrant and deliberate color schemes.