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Viewing collection John Andrew MacMahon, Class of 1995 Collection Clear context

Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Black Ice by James Welling, Image 1.

    James Welling

    Black Ice, 2010

    Pigment print

    10.625 x 16 in (26.99 x 40.64 cm)

  2. Foundation, Reynes Street by Sara VanDerBeek, Image 1.

    Sara VanDerBeek

    Foundation, Reynes Street, 2010

    Digital Chromogenic print

    15.625 x 20 in (39.69 x 50.8 cm)

  3. Foundation, Dorgenois Street by Sara VanDerBeek, Image 1.

    Sara VanDerBeek

    Foundation, Dorgenois Street, 2010

    Digital Chromogenic print

    15.5 x 20.125 in (39.37 x 51.12 cm)

  4. Night Mirror by Sara VanDerBeek, Image 1.

    Sara VanDerBeek

    Night Mirror, 2010

    Digital Chromogenic print

    16 x 20 in (40.64 x 50.8 cm)

  5. Untitled #68 by Hellen van Meene, Image 1.

    Hellen van Meene

    Untitled #68, 2001

    Chromogenic print

    15.375 x 15.375 in (39.05 x 39.05 cm)

  6. Untitled #140 by Hellen van Meene, Image 1.

    Hellen van Meene

    Untitled #140, 2001

    Chromogenic print

    15.375 x 15.375 in (39.05 x 39.05 cm)

  7. Untitled #72 by Hellen van Meene, Image 1.

    Hellen van Meene

    Untitled #72, 1999

    Chromogenic print

    15.375 x 15.375 in (39.05 x 39.05 cm)

  8. Iris Print by James Welling, Image 2.

    James Welling

    Iris Print, 1998

    Black-and-white iris print

    44.5 x 31 in (113.03 x 78.74 cm)

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About the artist

James Welling

American

b. 1951

James Welling grew up taking drawing classes at the Wadsworth Atheneum in Hartford, CT. Welling studied at Carnegie Mellon University and the University of Pittsburgh before receiving his BFA and MFA from the California Institute of the Arts in Valencia. From 1995 to 2016, he served as the Area Head of Photography at UCLA, and since 2012 he has been a Lecturer at Princeton University.

Welling is a conceptual artist known for his color-filtered and digitally manipulated photographs. His work often explores ambiguity and skepticism while maintaining a deeply formal process that connects the legacy of Conceptual Art to the technical practice of photography.