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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Knife by Erin Shirreff, Image 1.

    Erin Shirreff

    Knife, 2008

    Black and white archival print

    39.5 x 29.5 in (100.33 x 74.93 cm)

  2. An UFO, 06 by Gene Merritt, Image 1.

    Gene Merritt

    An UFO, 06, 2006

    Ink on paper

    11 x 8.5 in (27.94 x 21.59 cm)

  3. Stero Spakers o Manoral Stereo Recv, 2001 by Gene Merritt, Image 1.

    Gene Merritt

    Stero Spakers o Manoral Stereo Recv, 2001, 2001

    Ink and highlighter on paper

    11 x 8.5 in (27.94 x 21.59 cm)

  4. B86 by James Welling, Image 1.

    James Welling

    B86, 1980

    Gelatin silver print on Kodak Azo paper

    5 x 3.625 in (12.7 x 9.21 cm)

  5. Alex Haley, Universal Studios, Universal City, Calif. by William R. Ferris, Image 1.

    William R. Ferris

    Alex Haley, Universal Studios, Universal City, Calif., 1979

    Gelatin silver print

    9 x 13.5 in (22.86 x 34.29 cm)

  6. Rose by Laura Grosch, Image 1.

    Laura Grosch

    Rose, 1973

    Lithograph on paper

    22.0625 x 29.9375 in (56.04 x 76.04 cm)

  7. Le Bassin de Deauville (In the Morning Light) by Eugène Boudin, Image 1.

    Eugène Boudin

    Le Bassin de Deauville (In the Morning Light), 1896

    Oil on panel

    10.75 x 8.5 in (27.31 x 21.59 cm)

  8. 五十三次名所図会　五十一　水口　名松平松山の麓 (No. 51, Minakuchi: Famous Pine Trees at the Foot of Mt. Hiramatsu from Fifty-three Stations of the Tokaido, (Tokaido gojusan tsugi)) by 歌川(Utagawa) 広重(Hiroshige), Image 1.

    歌川(Utagawa) 広重(Hiroshige)

    五十三次名所図会　五十一　水口　名松平松山の麓 (No. 51, Minakuchi: Famous Pine Trees at the Foot of Mt. Hiramatsu from Fifty-three Stations of the Tokaido, (Tokaido gojusan tsugi)), 1855

    Woodblock print (nishiki-e); ink and color on paper

    13 x 8.5 in (33.02 x 21.59 cm)

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About the artist

Todd Walker

American

1917-1998

America photographer. Walker worked with sabattiers solarization, artist books, silkscreen, lithography, collotype, and digital. He was mainly self taught, but studied at RKO studios as a painter's apprentice and took courses at the Art Center School in LA. During the 1950s, he worked as freelance photographer (mainly in advertisements), and won awards from the ASMP. Duing the 1960s, heswitched to more personal expression and began teaching courses at the Art Center. By the 70s, he became internationally respected as an artist and taught at various intitutions including UCLA, Cal State Northridge, and the University of Arizona at Tuscan.