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Georges Rouault

French

1871-1958

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  1. Des Ongles et du Bec (With Tooth and Nail), Plate 50 from "Miserere Series" by Georges Rouault, Image 1.

    Georges Rouault

    Des Ongles et du Bec (With Tooth and Nail), Plate 50 from "Miserere Series", 1926

    Aquatint etching on paper

    23 x 18 in (58.42 x 45.72 cm)

  2. Vielle Courtisane à la Fenêtre by Georges Rouault, Image 1.

    Georges Rouault

    Vielle Courtisane à la Fenêtre, 1937

    Aquatint on paper

    11.75 x 8.5 in (29.85 x 21.59 cm)

  3. Notre Dame de la Fin des Terres (Our Lady of the End of the World), from Cirque de l'Étoile Filante (Circus of the Shining Star) by Georges Rouault, Image 1.

    Georges Rouault

    Notre Dame de la Fin des Terres (Our Lady of the End of the World), from Cirque de l'Étoile Filante (Circus of the Shining Star), 1934

    Woodcut on paper

    17.25 x 13.125 in (43.82 x 33.34 cm)

  4. The Chinese, They Say, Invented Gunpowder, and Made Us a Gift of It, from Miserere by Georges Rouault, Image 2.

    Georges Rouault

    The Chinese, They Say, Invented Gunpowder, and Made Us a Gift of It, from Miserere, 1926

    Etching and aquatint on paper

    24.375 x 17.875 in (61.91 x 45.4 cm)

  5. Le Tombeau de Baudelaire by Georges Rouault, Image 1.

    Georges Rouault

    Le Tombeau de Baudelaire, 1936

    Aquatint on paper

    11.5 x 8 in (29.21 x 20.32 cm)

  6. Douce Amere (Bittersweet), from Cirque de l'étoile filante (The Shooting Star Circus) by Georges Rouault, Image 1.

    Georges Rouault

    Douce Amere (Bittersweet), from Cirque de l'étoile filante (The Shooting Star Circus), 1934, published 1938

    Aquatint on paper

  7. Christ and Disciple, No. 2, from "The Passion" by Georges Rouault, Image 1.

    Georges Rouault

    Christ and Disciple, No. 2, from "The Passion", 1939

    Woodcut on paper

    12.375 x 8.375 in (31.43 x 21.27 cm)

French artist assoicated with Fauvism and developed style alongside Matisse and Derain. Expressionist painter and printmaker who created works based on religious ideals. Some works displayed prostitutes, clowns and performers as degrading to society while other portraits adoring Christ and other spiritual figures. Studied at l'Ecole des Arts Decoratifs and l"Ecole des Beaux Arts and apprenticed under a stain glass artist during this time. Formed a close mentorship with Symbolist Gustave Moreau.