Skip to profile content
Discovery
Log In

Additional Artworks

From UNLV Marjorie Barrick Museum of Art

  1. Spin (after Sol LeWitt) by Yumi Janairo Roth, Image 1.

    Yumi Janairo Roth

    Spin (after Sol LeWitt), 2021

    Coroplast, vinyl

    18 x 72 in

  2. Protest Puzzle, Untitled #2 by Krystal Ramirez, Image 2.

    Krystal Ramirez

    Protest Puzzle, Untitled #2, 2020

    Paperboard, adhesive, printed reproduction of a photograph

    16 x 20 in

  3. Mojavean Transmutations #2 by Lee Cannarozzo, Image 2.

    Lee Cannarozzo

    Mojavean Transmutations #2, 2018

    Yucca Schidigera paper and Lamp Black ink derived from Yucca Schidigera

    21 x 31 in

  4. Shoes by Thomas Ray Willis, Image 1.

    Thomas Ray Willis

    Shoes, 2011

    Canvas, wood, acrylic gesso, metal staples, metal grommets, shoelaces

    12.5 x 6 x 1.25 in

  5. Mounds by Erin Stellmon, Image 3.

    Erin Stellmon

    Mounds, 2007

    Digital print on iron-on foam and acrylic on fabric

    35 x 65 x 3 in

  6. Panoptic Liger IV by Michael Ogilvie, Image 1.

    Michael Ogilvie

    Panoptic Liger IV, 2005

    Acrylic

    24.75 x 36 in

  7. No Title, No. 03.09 by David Hirschi, Image 2.

    David Hirschi

    No Title, No. 03.09, 2003

    Oil and wax on wood panel

    14.875 x 14.875 x 0.75 in

  8. Untitled by Don Hazlitt, Image 1.

    Don Hazlitt

    Untitled, 1978

    Mixed media on paper

    11.875 x 8.875 in

View All Artworks

About the artist

Peter Chevalier

German

b. 1953

Peter Chevalier was born in Karlsruhe, Baden-Württemberg, Germany in 1953. His work has been characterized as a contemporary form of surrealism or symbolism, with the writer Stephen Barber describing his paintings in a 1991 catalog essay as “instruments of astonishment.” In the mid-1980s, when Untitled (Pear, Cucumber, Orange) was created, the artist Ernst Busche drew attention to his handling of oil paint, praising his distinctive “dry-painted, porous” surfaces that “almost look like pastels.” A graduate of the Braunschweig University of Art, Chevalier received the Sprengel Prize from Hanover’s Niedersächsische Sparkassenstiftung foundation in 1985. From 1992 to 2019, he was a professor in the art department at the State Academy of Fine Arts Stuttgart. His art has been featured in many museums and galleries including the Museum of Modern Art, New York, Luhring Augustine & Hodes, New York, Tel Aviv Museum of Art, Tel Aviv, Studio d’Arte Cannaviello, Milan, Gallerie Volker Diehl, Berlin, and the Zentrum fur Kunst und Medien, Karlsruhe. Chevalier is currently based in Berlin and Stuttgart.