Krystal Ramirez
Protest Puzzle Untitled #2, 2020
Paperboard, adhesive, printed reproduction of a photograph
Marjorie Barrick Museum of Art Collection
Gift of Nancy J. Uscher
Purchased with contributions to the Womxn of Color Acquisition Fund
2020.11.02
Photographs of MGM Grand rally, Culinary Union, Las Vegas (Nev.), 1994 May 26
From the series, We Get What We Take. A collaboration with a division of UNLV Special Collections, Latinx Voices of Southern Nevada
A framed photo puzzle of a row of people standing together with protest signs under a banner that reads: “WE GET WHAT WE TAKE / WE KEEP WHAT WE HAVE / THE STRENGTH TO HOLD.” A partly-obscured line of text at the bottom of the banner reads: “Culinary Wor … cal 266.” The signs in the protesters’ hands read: “MGM Grand. No Union Contract.” The group is dressed in jeans, shorts, t-shirts, sneakers, and other casual wear.
From the artist:
I began research for this project in January 2020. My objective was to take a more in-depth look into the history of protests in Southern Nevada. These protests are a microcosm of the larger history of protests that make this country great. I often think of the bleak outlook faced by so many Americans especially in light of current events, but we all continue to fight for the country we love. As James Baldwin said, “I love America more than any other country in the world, and, exactly for this reason, I insist on the right to criticize her perpetually.”
Las Vegas was built by people of color but not made for people of color. Nevertheless, I love Las Vegas and all the people who fought for my family to be here and to live a healthy and prosperous life. My mother has been a part of the Culinary Union for 25 years, and this undoubtedly changed the course of my family’s life. These signs are from protests held by the Culinary Workers Union Local 226, primarily in the 90s, to unionize Las Vegas casinos. The idea to make the photographs into puzzles is inspired by Felix Gonzalez-Torres. As has been said about Gonzalez-Torres’s work, The puzzles suggest a nostalgic movement coming from the disheartened intention of reviving a past time’s intensity.
“Las Vegas was built by people of color but not made for people of color. Nevertheless, I love Las Vegas and all the people who fought for my family to be here and to live a healthy and prosperous life. My mother has been a part of the Culinary Union for 25 years, and this undoubtedly changed the course of my family’s life. These signs are from protests held by the Culinary Workers Union Local 226, primarily in the ‘90s, to unionize Las Vegas casinos. The idea to make the photographs into puzzles is inspired by Felix Gonzalez-Torres. As has been said about Gonzalez-Torres’s work: ‘The puzzles suggest a nostalgic movement coming from the disheartened intention of reviving a past time’s intensity.’”
Text by Krystal Ramirez. “The puzzles suggest …” is quoted from: Francesco Dama, “The Open Works of Felix Gonzalez-Torres.” (Hyperallergic, 2016)
