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Additional Artworks

From UNLV Marjorie Barrick Museum of Art

  1. Abigail by Cara Romero, Image 1.

    Cara Romero

    Abigail, 2020

    Archival photograph printed on Legacy Matte paper

    18.5 x 15.25 in

  2. Sand & Stone by Cara Romero, Image 1.

    Cara Romero

    Sand & Stone, 2020

    Archival photograph printed on Legacy Matte paper

    20.5 x 15.25 in

  3. American Spirit (Documentation of Aaron Sheppard's Bearded and Shucked) by Mikayla Whitmore, Image 1.

    Mikayla Whitmore

    American Spirit (Documentation of Aaron Sheppard's Bearded and Shucked), 2016

    Archival inkjet print

    24 x 36 x 1 in

  4. Rake by Andreana Donahue, Image 1.

    Andreana Donahue

    Rake, 2015

    Paper, wild Alaskan blueberry residue

    4 x 10 x 6 in

  5. Stationary Front #5 by Branden Koch, Image 1.

    Branden Koch

    Stationary Front #5, 2011

    Ink, gouache, watercolor on paper

    8.5 x 5.5 in

  6. Panoptic Liger VI by Michael Ogilvie, Image 1.

    Michael Ogilvie

    Panoptic Liger VI, 2005

    Acrylic

    22 x 28 in

  7. Panoptic Liger V by Michael Ogilvie, Image 1.

    Michael Ogilvie

    Panoptic Liger V, 2005

    Acrylic

    23.75 x 30 in

  8. Oblique Strategies : One Hundred Worthwhile Dilemmas, Fourth Again Revised and More Universal Edition by Brian Eno, Peter Schmidt, Pae White, Image 3.

    Brian Eno, Peter Schmidt, Pae White

    Oblique Strategies : One Hundred Worthwhile Dilemmas, Fourth Again Revised and More Universal Edition, 1996

    multiple boxed edition, offset-printed, loose leaves, die-cut, black-and-white & color, [102] loose leaves

    5.5 x 5.5 x 1.5 in

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About the artist

Jack Endewelt

American

1935-2006

Born and raised in New York City, Endewelt began to attend Manhattan’s School of Visual Arts in 1967 and quickly became part of the faculty. He retired to Las Vegas in 2000 after a long career that combined teaching with freelance commercial illustration. "We're conditioned to expect the things around us to behave, smell, taste a certain way, depending upon their appearance,” he said during a CAC group show in 2004. “I wanted to comment on the presumptive aspect of this expectation." Casey Weldon, who designed a catalogue for the memorial exhibition that was held in Trifecta Gallery after Endewelt’s death from lung cancer in 2006, described his work like this: “Everything is rendered so perfectly. But then there is the juxtaposition of the weird subject matter. The work, at first glance, seems so conservative, straightforward, but looking closer you see that it's off-kilter, eerie.” (Interview published in the Las Vegas Sun, July 21, 2006).