Ms. Webber began her position as full-time Professor of Art at Los Angeles Harbor College, CA in 1965 where she taught photography, drawing, painting, design, and film appreciation. After a long and satisfying career as an art educator she retired from full-time teaching in 2013 to devote herself to her own artwork — most especially to the development and completion of a book of her photographs, Life Imitates Art published in 2015. She continued adjunct faculty teaching at Harbor College until 2016.
Always an inquisitive traveler, Nancy visited countries around the globe including India, China, Japan, Europe, Mexico, South and Central America, Cuba, Indonesia and Thailand. Additionally she traveled broadly in the US and Canada.
From 1980-82 she enjoyed a sabbatical in London while photographing and drawing her surroundings. In 1994 she completed a Fulbright in Brazil and another in India where she photographed expansively while collecting textiles and objects in both locations. The photographs and objects were later exhibited in the Art Gallery at Harbor College. In addition, Webber developed a seminar informed by her travels.
In 1991 Nancy was a co-recipient of the Visual Art Award for the opening of the Metro Blue Line for which they created a large photo mural. In 1992 she received a J. Paul Getty Fellowship in Photography and Public Art. In 2008 she received another grant from the Los Angeles Department of Cultural Affairs, art in public places for the Harbor Animal Care Center in San Pedro. The piece is titled Peaceable Kingdom.
In addition to her considerable contributions in education, Nancy possessed a long and singular focus in her personal artwork. What began at age five, as a challenge by a guide at the Saint Louis Art Museum, to find the work of art in the gallery that matched a detail handed to her by the docent, later sparked a lifelong fascination. Years afterwards Nancy remembered the childhood game while visiting a museum in Florence, Italy as an art student. At this point she began her more than 25 year long series of observing similarities between art historical portraits and the faces of passers by, photographing both the museum portrait and the face of the stranger (or friend), pairing the photos to accentuate the resemblance.
From this extended matchmaking series Nancy produced her book, Life Imitates Art that includes over 200 re-embodiments using contemporary people who bear striking likeness to famous portraits. While always subtly humorous she incorporated art history, investigating the theme of the marriage of art and life, underscoring her determination to demystify art. She said, “Too often, we lock art up in intimidating edifices, like museums… I see art on the street all the time, and by showing what I see, I am making the historical work more alive and accessible.”
Nancy exhibited her works extensively, both nationally and internationally. Her photographic work is represented in the permanent collection at LACMA. Moreover, many of her works are in private and corporate collections. Additionally the photographs were published in the London Times, Life Magazine, and Camera at Work.itua
This imaginative and active artist also exhibited three-dimensional installation works and continued to do beautiful Prismacolor and graphite drawings of animals until the end of her life.
Ms. Webber began her position as full-time Professor of Art at Los Angeles Harbor College, CA in 1965 where she taught photography, drawing, painting, design, and film appreciation. After a long and satisfying career as an art educator she retired from full-time teaching in 2013 to devote herself to her own artwork — most especially to the development and completion of a book of her photographs, Life Imitates Art published in 2015. She continued adjunct faculty teaching at Harbor College until 2016.
Always an inquisitive traveler, Nancy visited countries around the globe including India, China, Japan, Europe, Mexico, South and Central America, Cuba, Indonesia and Thailand. Additionally she traveled broadly in the US and Canada.
From 1980-82 she enjoyed a sabbatical in London while photographing and drawing her surroundings. In 1994 she completed a Fulbright in Brazil and another in India where she photographed expansively while collecting textiles and objects in both locations. The photographs and objects were later exhibited in the Art Gallery at Harbor College. In addition, Webber developed a seminar informed by her travels.
In 1991 Nancy was a co-recipient of the Visual Art Award for the opening of the Metro Blue Line for which they created a large photo mural. In 1992 she received a J. Paul Getty Fellowship in Photography and Public Art. In 2008 she received another grant from the Los Angeles Department of Cultural Affairs, art in public places for the Harbor Animal Care Center in San Pedro. The piece is titled Peaceable Kingdom.
In addition to her considerable contributions in education, Nancy possessed a long and singular focus in her personal artwork. What began at age five, as a challenge by a guide at the Saint Louis Art Museum, to find the work of art in the gallery that matched a detail handed to her by the docent, later sparked a lifelong fascination. Years afterwards Nancy remembered the childhood game while visiting a museum in Florence, Italy as an art student. At this point she began her more than 25 year long series of observing similarities between art historical portraits and the faces of passers by, photographing both the museum portrait and the face of the stranger (or friend), pairing the photos to accentuate the resemblance.
From this extended matchmaking series Nancy produced her book, Life Imitates Art that includes over 200 re-embodiments using contemporary people who bear striking likeness to famous portraits. While always subtly humorous she incorporated art history, investigating the theme of the marriage of art and life, underscoring her determination to demystify art. She said, “Too often, we lock art up in intimidating edifices, like museums… I see art on the street all the time, and by showing what I see, I am making the historical work more alive and accessible.”
Nancy exhibited her works extensively, both nationally and internationally. Her photographic work is represented in the permanent collection at LACMA. Moreover, many of her works are in private and corporate collections. Additionally the photographs were published in the London Times, Life Magazine, and Camera at Work.itua
This imaginative and active artist also exhibited three-dimensional installation works and continued to do beautiful Prismacolor and graphite drawings of animals until the end of her life.