Gordon had numerous positions in academia and institutes including as assistant professor at University of California-Berkeley (1969–70), associate professor at Mills College in Oakland, CA (1974–75), associate professor at Concordia University, Montreal, Canada (1975–98), visiting lecturer at the San Francisco Art Institute (1969–70), and positions at University of Saskatchewan, Saskatoon Canada (1984), Lakeside Studio, Michigan (1986, 1988) East Carolina University, North Carolina (1989).
Gordon's work is represented in a wide variety of museums and personal collections. He has pieces at the Smithsonian American Art Museum, the Fine Arts Museum of San Francisco, and the Block Museum of Art at Northwestern University.
Gordon's work reflects his own social, intellectual and moral development as a man over that time, with all of his characteristics—most notably being an American Black man—he searches for those universal truths which best express his own perspective on humanity. The phenomena absorbed by him—and the resulting metaphors susceptible of being followed in his work—reflect with a certain linearity the events in the artist's own life. In breaking the bonds which tied him to the poorest parts of Philadelphia, to a city which had no understanding, let alone respect, for the activities of the intellect or the beauties of art, and to an American society in its most conservative pre-Kennedy mode, Gordon has sought and achieved in his art a freedom originating with redemption from the cliches of race and social standing, working towards a luminous vision of human life.
