New Landscapes marks a shift toward a more distilled and intuitive way of working—where color, space, and process take the lead.

These paintings are not literal landscapes, but emotional and atmospheric ones. Built through poured and guided washes of paint, each work allows movement, gravity, and absorption to shape the composition as much as intention. Edges form and dissolve, color settles and expands, and the surface becomes a record of both control and release.

In this body of work, I’ve been exploring what happens when I let go of over-resolution—allowing the painting to hold ambiguity while still feeling complete. The result is a series of works that feel open, grounded, and quietly active.

Each piece exists as its own environment—inviting the viewer to enter, move through, and interpret freely. Together, they form a collection rooted in transition, where structure softens and something more essential begins to emerge.