Rather than working with traditional geometric designed squares, Judith developed a technique of strip piecing. She selects her solid colored cottons, rotary cuts them into specifically chosen widths, sews them together, and cuts them again into fine, uniform strips. She orders these strips on her design cloth, a mapped muslin. Though it may appear that the piece is not actually quilted, the completed strips are individually sewn through batting to the back as she goes; a technique known as flip and sew quilting.
Additional Artworks
From San Jose Museum of Quilts & Textiles
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Nancy Taylor
Games People Play, 2001
Cotton
50 x 50 in (127.0 x 127.0 cm)
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Gloria Greenlee and Linda Taylor
Leaves and Strings, 2000
Cotton
67 x 59.5 in (170.18 x 151.13 cm)
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Mabeth Oxenreider
Urn in Paradise, 2000
Cotton
47.5 x 47.5 in (120.65 x 120.65 cm)
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Nancy Taylor
Haiku, 1999
Cotton
75.5 x 38 in (191.77 x 96.52 cm)
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Emily Gentry Senuta
Magnetism, 1997
Cotton
38 x 38.5 in (96.52 x 97.79 cm)
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Nancy Taylor
Brigandini, 1997
Cotton, netting
65.5 x 50 in (166.37 x 127.0 cm)
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Judith Larzelere
Expanding Spectrum, 1996
Cotton
61 x 60 in (154.94 x 152.4 cm)
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Nancy Taylor
Art Nouveau, 1995
Cotton
42 x 42.25 in (106.68 x 107.32 cm)