Rather than working with traditional geometric designed squares, Judith developed a technique of strip piecing. She selects her solid colored cottons, rotary cuts them into specifically chosen widths, sews them together, and cuts them again into fine, uniform strips. She orders these strips on her design cloth, a mapped muslin. Though it may appear that the piece is not actually quilted, the completed strips are individually sewn through batting to the back as she goes; a technique known as flip and sew quilting.
Additional Artworks
From San Jose Museum of Quilts & Textiles
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Nancy Taylor
Games People Play, 2001
Cotton
50 x 50 in (127.0 x 127.0 cm)
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Nancy Taylor
Haiku, 1999
Cotton
75.5 x 38 in (191.77 x 96.52 cm)
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Judith Larzelere
Two Flower Forms, 1998
Cotton
39 x 69 in (99.06 x 175.26 cm)
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Emily Gentry Senuta
Magnetism, 1997
Cotton
38 x 38.5 in (96.52 x 97.79 cm)
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Nancy Taylor
Brigandini, 1997
Cotton, netting
65.5 x 50 in (166.37 x 127.0 cm)
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Gerald E. Roy
Reflections Too, for Paul, 1997
Cotton
54.25 x 45.25 in (137.8 x 114.94 cm)
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Nancy Taylor
Art Nouveau, 1995
Cotton
42 x 42.25 in (106.68 x 107.32 cm)
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Rai Kozai
Red, Yellow Study, 1995
Cotton
52 x 53 in (132.08 x 134.62 cm)