Created with the intention of amplifying images taken by photojournalists in Gaza. All funds generated go directly to the photographer when possible or a fund they support.
From September - December I was an artist in residence in Taos. It was remarkable. I was one of a cohort of 12 other creatives. The thicket paintings are from the view outside the studios HUGE window. The paintings I created varied in approach. Color studies, plein air, memory and from photos I took. All informing one another.
SAM Gallery, TASTE exhibit 2019. This exhibit brought to fruition the streetscapes I had developed over a bit more than a decade. At this stage I introduced various elements (stars) and intuitive color and paint application.
Exhibited in Portland at Waterstone Gallery. These pieces explored imposing floating energy/intuitive continuous lines over streetscapes and then repainting them using the lines as barriers. At times I imagined a butterfly flitting over the surface, over the view other times I thought of my own presence within/with the place.
Begun July 4, 2018. Also called 'Disaster Restoration'. This series was a response to the election of Donald Trump and my thoughts about being American. I recalled being a kid in 1976 living in Colorado. It was the state's centennial and the country's bicentennial. A big deal. I recall feeling good about being American - and having a sense of nationwide community. This series began as a kind of accident when I decided to paint over an old painting of Division Street with a business titled "Disaster Restoration". I painted Bachelor Buttons from the garden - and the deep blue reminded me of the American flag and I ran with it. Later paintings explore mixing starts and stripes with plant and city imagery. Also I found myself painting in dichotomies of palettes; natural earth tones vs. primary.
MNP Artists Residency. Painted on location and later abstract color studies painted in the studio. All were exhibited in the Desert Light Gallery in the historic Kelso Station Visitor's Center from May - June 2018.
The color studies are depictions of sunset colors (Song and Flow), Prickly Pear Cactus (Smooth), and yellow flowering Chamisa that was bedecked with butterflies (Humm). The continuous lines initiating these paintings are intuitive responses to what I was viewing.
Partially funded by a grant from RACC (Regional Arts and Culture Council). The exhibit was in Portland Community College SE Campus. It represents the merging of two approaches - intuitive lines overlaid on streetscape paintings. The reference images were taken by me in the neighborhood I lived in. The small color and line studies began as a fun experiment that eventually merged with my realistic work.
In Portland we had a record snowfall in 2014. I rose at dawn to photograph my neighborhood with the snowy, unplowed roads. The colors were surreal. Later I worked from these images in the studio. Exhibited at both Annie Meyer Gallery and Seattle Art Museum Gallery.