My work explores memory, identity, and the ways we construct belonging across time and place. Working primarily in mixed media and photographic transfer, I use images I have taken as a starting point than disrupt, layer, and reassemble them to reflect the instability of memory and perception.

The process of transfer is central to my practice. Images are lifted from their original context, altered through texture and fragmentation, and reimagined into something both familiar and unsettled. Faces blur, surfaces crack, and layers obscure and reveal simultaneously. I am drawn to the tension between what is visible and what is felt, the quiet, often unspoken narratives that exist beneath the surface.

While some of my work draws from personal and cultural histories, including my experiences of migration, I am less interested in documenting specific places and more interested in what those places hold traces of labor, absence, resilience, and time. My work moves between the personal and the collective, inviting viewers to find their own points of entry.

Layering is both a visual and conceptual approach in my work. I build surfaces using photographic transfers, paint, and texture to create pieces that feel fragile yet enduring. This layering reflects how we navigate the world, what we choose to reveal, what we conceal, and how we adapt ourselves in different environments. There is often an undercurrent of tension between vulnerability and protection.

Ultimately, my work is an invitation to pause and reflect. Rather than offering resolution, I am interested in creating space for ambiguity and connection. I want viewers to consider their own relationship to memory, identity, and place, and to question what is held onto, what is lost, and what is transformed over time.