REWA was born and raised between Nigeria and England and received a BSc. in Physiology and Pharmacology from University College London (UCL). She previously worked as the Head of Corporate Development and Investor Relations for a Johannesburg Stock Exchange (JSE) listed company. Prior to this, she was the Specialty Insurance Executive for Old Mutual West Africa and a Management Consultant at Accenture (UK).
Never having received formal art training, she is self-taught and developed her innate talent from a very early age. Growing up, her father encouraged her creative drive, his expansive art collection from West Africa, providing further impetus for her development. Her formal training as a physiologist / pharmacologist at UCL also prepared her for what has become an exciting journey; she learned to observe in greater detail and to seek deeper meaning.
She finds that her spirit is moved by what she refers to as "depicted sentience" and through the celebration of the female form and bright, vivid colours. Her preferred medium of acrylics and ink on canvas provide the immediacy, proximity and transparency to express her most personal experiences and influences living between Lagos, London and Johannesburg, cities she considers home.
REWA’s primary body of work, “The Pantheon”, celebrating Nigerian deities, led to her appointment as ReLe Gallery’s 2017 Young Contemporary in Lagos, Nigeria. In this same year, the prestigious Gallery of African Art (GAFRA) in Mayfair, London invited REWA to participate in a joint exhibition, Her Story: Sisterhood That Transcends. Her collection, Onicha Ado N’Idu delved into the significance of naming rites and traditions within the Igbo culture in Nigeria.
REWA’s work was featured at the Museum of Contemporary African Diasporan Arts (MoCADA) in Brooklyn, New York as part of MoCADA’s annual 2017 gala. She has participated in the Jonathan Ferrara Gallery’s No Dead Artists 22nd Annual show in New Orleans, USA, showcasing her INU NWUNYE: Bride Price collection. Most recently, her work was displayed at the Zeitz Museum of Contemporary Art Africa (MOCAA) in Cape Town, South Africa – the largest museum of contemporary African art in the world - as part of their critically acclaimed, “Back to the Future: Still Here Tomorrow to High Five You Yesterday” exhibition.
REWA’s artwork represents and glorifies women in our numerous forms; as goddesses, as travelers and most recently, as inexorable forces behind naming rites of the Igbo culture.
She has finally found her truth in a voice that is unique to her, one that has induced prolonged frenzies and abundant hours of introverted happiness and zen. For REWA, art creation is synonymous with catharsis and her creations are her life's diary.
