Rachel Blythe Udell works with fibrous materials to create biomorphic sculptures, embroidered textile collages, and installations. She is the recipient of a 2023 Fellowship from the New Jersey State Council on the Arts for sculpture. Her most recent installation, Hypnagogic Habitat, was on view at the Philadelphia International Airport from February- August, 2023. In 2022 her work was juried into the showcase section of Art14C, an international art fair in Jersey City, NJ. Udell has had a solo show at Grounds For Sculpture in Hamilton, NJ and exhibited in a three-person show at the Perkins Center for the Arts, in Collingswood, New Jersey. She has created installations for the Philadelphia Department of Parks and Recreation at Lemon Hill Mansion, as well as The Atlantic Highlands Arts Council Gallery in Monmouth County, NJ. Her work was selected for inclusion in the New Jersey Arts Annual in 2018 and the Fiber Philadelphia International Biennial in 2012. Udell graduated from the University of Pennsylvania with a bachelor’s degree in Art History, and has studied art and art therapy at The School of the Art Institute of Chicago. She lives and works in Mantua, New Jersey.
About
I make sculptures and embroidery collages from heirloom clothing, yarn, reclaimed fabrics, and other materials. The language of textiles is also that of connection, threading together identity, history, biology, and personal experience. As human beings, we are part of an interacting, breathing membrane, transmitting and receiving the stuff of life between social and psychological systems, ecosystems, solar and cosmic systems. We flow, physically and emotionally, into our surroundings. The materials I use have their own histories, sometimes directly linked to mine, as in the case of familial clothing, sometimes not. Organic patterns in vintage laces and other textiles speak to one another, and seem to pulse with life. Always trying to minimize waste, I bundle together the scraps and ends from my crochet and embroidery pieces, to form new soft sculptural bodies. In this way, my work process literally begets new work, reproducing like a live organism.