Weather’s Trace considers the landscape not as a passive subject, but as an active force capable of shaping, altering and remaking.
The work developed through a process of exposure and response, allowing environmental conditions to interrupt my own decisions. Marks were disrupted, surfaces shifted, and elements were partially erased, leaving traces of what had occurred rather than a controlled representation of place.
I am interested in these processes because they echo the way living systems adapt: through pressure, disturbance, loss and renewal. Landscape and body are both continually altered by what they encounter.
Weather’s Trace holds this tension between vulnerability and resilience. It asks what remains after change, and how transformation can become part of the structure rather than simply something imposed upon it.
