‘Les Incarnées’ is a pictorial series exploring the passage from word to flesh. A crossing. That of a word first inscribed, then transformed.
This body of work originates from a long-term research process, sparked by an encounter with the Gospel of John. Each piece is not meant to illustrate a verse, but to translate its intention into a contemporary visual language, through material, gesture, and light.
The series unfolds as a structured whole across a constellation of 22 works.
At the core of the process is a transformation of language into matter. Each painting begins with writing inscribed on the canvas, which gradually becomes embedded within layers of paint. In the diptychs and triptychs, a movement unfolds from one panel to the next.
Another essential dimension of the work lies in its dialogue with stained glass. Each piece is developed in resonance with a specific church window, translating its structure, rhythm, and light into painting.
This body of work originates from a long-term research process, sparked by an encounter with the Gospel of John. Each piece is not meant to illustrate a verse, but to translate its intention into a contemporary visual language, through material, gesture, and light.
The series unfolds as a structured whole across a constellation of 22 works.
At the core of the process is a transformation of language into matter. Each painting begins with writing inscribed on the canvas, which gradually becomes embedded within layers of paint. In the diptychs and triptychs, a movement unfolds from one panel to the next.
Another essential dimension of the work lies in its dialogue with stained glass. Each piece is developed in resonance with a specific church window, translating its structure, rhythm, and light into painting.
