MIRROR AND ILLUSION
The sensuality of some organic forms and an analytic depuration, define the language of Maïs. Objects, geometries, volumes, penetrations, analogies… That, through the epidemic sense of the materials, melt down the symbol with the invention, the pleats with the fissures, the organic world with the archaic connotations, going from de virtual sense to the evidence, from the mirror to the illusion, from the emotive impact to the fiction atmosphere where it is possible to dive.
Glòria Bosch Mir (Maïs, Gallery Ambit, Barcelona 1986).
