To me, the most interesting paintings have the ability to hold a dialog between the lines and shapes on canvas, the style of the day, the changing light of the room, and the viewer’s own interpretation. In Pareidolia, I invite the viewer to join this dialog.
What we see is informed by who we are: our personal history, our preferences, our current emotional state. As we gain experience and understanding, we learn to see more deeply, finding patterns, and identifying meaning. And so it is with art.