My work emerges from a life lived between California and the South Pacific, shaped by oceanic ecologies and the experience of inhabiting liminal cultural space. Working across drawing, watercolor, and tattoo, I approach image-making as an embodied practice.

Botanical and marine forms recur as structural frameworks. Oceanic movement, ropes and lines, and reef structures function as metaphors for migration, resilience, and connection. I am drawn to the tension between fragility and permanence, and to the ways images hold memory across geographies. Through layered, highly rendered watercolor and deliberate mark-making, I examine hybridity, authorship, and belonging, creating images that feel intimate yet enduring.