Kerry Beverly described his painting as animist—with images seizing on the “pervading life and will in nature far outside modern limits.*”

He spurned formal training in technique and composition. Instead, he interposed his love of classic American cinema and photography to inform his art. 

With a restless creative energy that embraced all forms—old and new—his substrates ranged from canvas to computer with mediums flowing from acrylic and charcoal to pixels.

*Edward B Tylor, Primitive Culture: Researches Into the Development of Mythology, Philosophy, Religion, Art, and Custom, Volume 1