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The fetching and deeply conscious paintings of Paul Klee have long interested me. I admire Klee as one of those gifted artists who see beneath the surface of things to plumb the essential and sometimes the exotic depths of their subjects, I might even say explore their subject's spiritual essence. The French word for key is "clef," pronounced exactly like Paul Klee's name. In some way, this is not an accident. It is more the expression of the secrete life of the universe, about which we are given only glimmers.Coming to sense this distant life, so much larger than any one of us, is exactly why art is so important. The collages in t his triptych each begin with images from on of Klee's paintings, extracted from their backgrounds ( and used with the same positioning as the paintings) as the basis for my own exploration into the state of emptiness.

From George Roberts

  1. WHEN I FUND OUT... by George Roberts, Image 1.

    WHEN I FUND OUT...

    letterpress broadside

    26 x 18 in

  2. APPRENTICE YOURSELF TO YOURSELF by George Roberts, Image 1.

    APPRENTICE YOURSELF TO YOURSELF

    letterpress printing

    9 x 14 in

  3. THE REAL STUFF by George Roberts, Image 1.

    THE REAL STUFF

    letterpress printing, digital photography

    16 x 24 in

  4. Lend Us a Hand by George Roberts, Image 1.

    Lend Us a Hand

    Magazine cutouts, architectural pen

  5. THE USES OF SORROW by George Roberts, Image 1.

    THE USES OF SORROW

    Letterpress print, zinc plate image

  6. Please, Take a Chair by George Roberts, Image 1.

    Please, Take a Chair

  7. THE ALCHEMY OF LANGUAGE by George Roberts, Image 1.

    THE ALCHEMY OF LANGUAGE

    letterpress printing

    9 x 12 in

  8. BIG WOOD TY[E BROADSIDES:   I Cried Because...  (BWTB #1) by George Roberts, Image 1.

    BIG WOOD TY[E BROADSIDES: I Cried Because... (BWTB #1)

    letterpress pinting, with random zinc & linoleum plates

    25.5 x 18 in

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