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Radcliffe Bailey

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  1. From the Cabinet (Victrola) by Radcliffe Bailey, Image 3.

    Radcliffe Bailey

    From the Cabinet (Victrola), 2016

    Patina mild steel

    36 x 20 x 20 in (91.44 x 50.8 x 50.8 cm)

  2. From the Cabinet by Radcliffe Bailey, Image 5.

    Radcliffe Bailey

    From the Cabinet, 2016

    Patina mild steel

    16 x 14 x 26 in (40.64 x 35.56 x 66.04 cm)

For nearly thirty years, Radcliffe Bailey’s paintings, sculptures, and mixed-media works of art have explored themes of race, ancestry, and cultural memory through the lens of both personal and collective African American histories. Across his varied practice, Bailey draws upon personal experiences as an African American growing up in the South in the latter half of the 20th century, and also pays homage to historic figures who have shaped the narrative of black history at large. At a young age, his mother encouraged him to visit museums such as the High Museum of Art in Atlanta, where he was first exposed to works by African American artists such as James Van Der Zee and Jacob Lawrence. In 1991, Bailey received a Bachelor of Fine Arts from the Atlanta College of Art, and a decade later began showing with Jack Shainman Gallery in New York.

Bailey’s works convey the powerful sentiment of memory, and are often composed of found materials such as traditional African sculptures, vintage photographs of his family members, and piano keys.

Bailey’s practice delves into his own personal history as a means of exploring larger themes of race and civil rights. His creative process is fluid and wholly influenced by his day-to-day experiences, despite the layer of history intrinsically imbedded within the larger narratives they convey. In 2011, a solo traveling exhibition of Bailey’s work, Memory as Medicine, was exhibited at the High Museum of Art in Atlanta an institution that the artist cites as having a profound impact on the development of his artistic career. Bailey continues to reside and work in Atlanta today.
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