René Pierre Allain
13th Group Flash, no. 2, 1994
Watercolour and charcoal on paper
16 x 17 in
Odette Hall
Artwork in Odette Hall
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René Pierre Allain
13th Group Flash, no. 3, 1994
Watercolour and charcoal on paper
16 x 17 in
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Anne Allardyce
Quem Quaeritis, 1985
Torn and cut coated paper
30.75 x 27.75 in
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Michael Amar
Hiroshima’s Shadow, 1999
Lead, beeswax, oil paint, and pigment on wood
24 in
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Michael Amar
Twelfth Station, 1996-1997
Oil, dry pigment, and wax on lead and wood
15 x 31 in
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Lois Andison
Crown of Thorns, 1992
Pyrex tubing, diluted iodine, silicone, plexiglass, wood base
38 x 28.5 x 28.5 in
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John Brown
A Delicate Family (12 Attempts to Paint a Human Face) #4, 1990
Oil on wood
18 x 16 in
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Sheila Butler
Sent Forth into the World, 1999
Etching
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Sheila Butler
The Child, 1999
Etching
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John Clark
Mask and Mit, 1982
Oil on canvas
40 x 48 in
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John Clark
Untitled (Red Tree and Figure), 1988
Watercolour on paper
22.75 x 30.5 in
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Cora Cluett
After a While, 1998
Oil on canvas on board
18 x 18 in
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Sorel Cohen
Gothic Lament, 1988
Ektacolour photograph, typography
36 x 45 in
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Sorel Cohen
Resistance-Heroines, 1996
Mixed media, photo collage
9.5 x 7.5 in
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Robin Collyer
Shakertown East Family Dwelling, 1992
b/w photograph
18.9 x 22.8 in
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Lynn Donoghue
Veil, 1997
Oil, encaustic, and chalk pastel on mylar
54 x 46.75 in
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Gathie Falk
Development of the Plot #5, 1992
Oil on canvas
10.75 x 7.5 in
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Gerald Ferguson
Seven Fish, 1995
Enamel on canvas
32 x 32 in
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Simon Glass
Yahweh, 1994
Silver print
15 x 15 in
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John Hall
Chambers, 1986
Acrylic on canvas
12 x 12 in
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John Hall
Untitled Still-Life: M1, 1995
Acrylic on panel
6 x 9 in
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John Hartman
An Angel Appears to Richard S., 1988
Watercolour on paper
16.5 x 22 in
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John Hartman
Brébeuf and Lalement, 1994
Drypoint
14.75 x 18 in
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John Hartman
Luke Talks with Jesus on the Telephone, 1989
Drypoint
16.75 x 18.5 in
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John Hartman
St. Anne Above the Penetanguishene Bay, 1994
Drypoint
15 x 17.75 in