Skip to profile content
Log In

Additional Artworks

From Donna Art Inc.

  1. (1/7) 沒有本質 - 關公 There Is No Essence-Guan Gong by 申昊潤 SHIN Ho-Yoon, Image 1.

    申昊潤 SHIN Ho-Yoon

    (1/7) 沒有本質 - 關公 There Is No Essence-Guan Gong, 2022

    不鏽鋼 stainless steel

    95 x 55 x 55 cm (37.4 x 21.65 x 21.65 in)

    NT$975,000

  2. (1/7) 沒有本質 - 彌勒半跏思惟像 There Is No Essence-Pensive Bodhisattva by 申昊潤 SHIN Ho-Yoon, Image 2.

    申昊潤 SHIN Ho-Yoon

    (1/7) 沒有本質 - 彌勒半跏思惟像 There Is No Essence-Pensive Bodhisattva, 2022

    不鏽鋼 stainless steel

    45 x 25 x 25 cm (17.72 x 9.84 x 9.84 in)

    NT$650,000

  3. (1/7) 沒有本質 - 觀世音菩薩#2 There Is No Essence-Guan Yin Bodhisattva by 申昊潤 SHIN Ho-Yoon, Image 3.

    申昊潤 SHIN Ho-Yoon

    (1/7) 沒有本質 - 觀世音菩薩#2 There Is No Essence-Guan Yin Bodhisattva, 2022

    不鏽鋼 stainless steel

    95 x 55 x 55 cm (37.4 x 21.65 x 21.65 in)

    NT$975,000

  4. (1/7) 面具底下 006 In The Mask 006 by 申昊潤 SHIN Ho-Yoon, Image 1.

    申昊潤 SHIN Ho-Yoon

    (1/7) 面具底下 006 In The Mask 006, 2022

    不鏽鋼 stainless steel

    95 x 40 x 40 cm (37.4 x 15.75 x 15.75 in)

    NT$812,500

  5. (1/7) 面具底下 004 In The Mask 004 by 申昊潤 SHIN Ho-Yoon, Image 2.

    申昊潤 SHIN Ho-Yoon

    (1/7) 面具底下 004 In The Mask 004, 2022

    不鏽鋼 stainless steel

    95 x 15 x 20 cm (37.4 x 5.91 x 7.87 in)

    NT$650,000

  6. (39/75) Obsession. No Joke by STICKYMONGER, Image 2.

    STICKYMONGER

    (39/75) Obsession. No Joke, 2020

    Paper

    75 x 61 cm (29.53 x 24.02 in)

    NT$90,000

  7. Claire Tabouret– The siblings 簽名海報 by Claire Tabouret, Image 1.

    Claire Tabouret

    Claire Tabouret– The siblings 簽名海報

    NT$12,800

  8. Claire Tabouret– Teguy and Terrin 簽名海報 by Claire Tabouret, Image 1.

    Claire Tabouret

    Claire Tabouret– Teguy and Terrin 簽名海報

    NT$12,800

View All Artworks

About the artist

Claire Tabouret

Claire Tabouret studied at the École des Beaux-Arts, Paris. Motivated by a sensitivity to the passing of time and the floodgates of vulnerability opened by human relationships, Tabouret’s painting practice is paced between periods of productive urgency and quiet reflection, and animated by layers, fabrics, and full, loose brushstrokes. Her hydrous palette is suspended somewhere in the ether between the synthetic hues of makeup and subdued tones of the earth, simultaneously referencing the natural and artificial ingredients of representation. Tableaux depicting bodies in confrontation, portraits, paintings of assemblies of people from young debutants to migrants at sea, and landscapes are often washed in color fields, alternately evoking the possibility of anywhere and site specificity. For her monotypes, Tabouret utilizes the phantom stains left by the press to develop transparency and opacity in her portrayals of conflict, sexuality, and desire.